Difference between revisions of "Category:Salome (subject)"

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'''Gabriele Boccaccini''', University of Michigan
'''Gabriele Boccaccini''', University of Michigan
* See [[Salome (arts)]]


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==Performing Salome==
{| border="1" align="center" cellspacing="0" cellpadding="5"
|- bgcolor=yellow
!Year!!Performer!!Film/play/opera!!Notes
|-
|[[1896]]||[[...]]||[[Salomé (Salome / 1893 Wilde), play]]||The 1893 play premiered in Paris at the Comédie-Parisienne on 11 February, 1896.
|-
|[[1905]]||[[Marie Wittich (1868–1931), German singer]]||[[Salome (1905 Strauss / Lachmann), opera]]||[[Mary Garden]] (1900s); [[Aino Ackté]] (1910s); [[Ljuba Welitsch]] (1940s); [[Maria Ewing]] (1980s); [[Karita Mattila]] and [[Nadja Michael]] (2000s) are among the most memorable performers of the opera. 
|-
|[[1907]]||[[Loie Fuller, dancer]]||[[La tragédie de Salomé (The Tragedy of Salome / 1907 Schmitt), ballet]]||
|-
|[[1908]]||[[Florence Lawrence (1886-1938), American actress]]||[[Salome; or, The Dance of Seven Veils (1908 Blackton), short film]]||Silent movie. First filmization of the Wilde play.
|-
|[[1908]]||[[Mlle. De Wailly]]||[[Salomé (Salome / 1908 Mariotte / Wilde), opera]]||[[Lucienne Bréval]] was Salome in the Paris performances in 1910 and 1919.
|-
|[[1910]]||[[Francesca Bertini (1892-1985), Italian actress]]||[[Salome (1910 Falena), short film]]||Silent film.
|-
|[[1910]]||[[Maria Ventura (1888-1954), Romanian French actress]]||[[Hérodiade (Herodias / 1910 Jasset, Hatot), short film]]||Silent film.
|-
|[[1912]]||[[Suzanne De Labroy, French actress]]||[[Erodiade (Herodias / 1912 Mentasti), short film]]||Silent film. Produced in Italy.
|-
|[[1912]]||[[Natasha Trouhanova, dancer]]||[[La tragédie de Salomé (The Tragedy of Salome / 1912 Guerra / @1907 Schmitt), ballet]]||Schmitt revised the score for Natasha Trouhanova in 1912 which was choreographed by Nicholas Guerra.
|-
|[[1913]]||[[Tamara Karsarvina, dancer]]||[[La tragédie de Salomé (The Tragedy of Salome / 1913 Romanov / @1907 Schmitt), ballet]]||In 1913 the Diaghilev’s company staged a version with the choreography by Boris Romanov starring Tamara Karsarvina. There was a Later production by Serge Lifar.
|-
|[[1918]]||[[Theda Bara (1885-1955), American actress]]||[[Salome (1918 Edwards), feature film]]||Silent film.
|-
|[[1922]]||[[Alla Nazimova (1879-1945), Russian American Jewish actress]]||[[Salome (1922 Bryant), feature film]]||Silent film.
|-
|[[1923]]||[[Diana Allen (b.1898), Swedish American actress]]||[[Salome (1923 Strauss), film]]||Silent film.
|-
|[[1925]]||[[Gloria Swanson (1899-1983), American actress]]||[[Stage Struck (1925 Dwan), film]]||A young waitress dreams of being Salome on stage.
|-
|[[1949]]||[[Celia Franca (1921-2007), British Canadian Jewish dancer]]||[[The Dance of Salome (1949 Franca / Hartley), TV film (ballet)]]||Silent film.
|-
|[[1950]]||[[Gloria Swanson (1899-1983), American actress]]||[[Sunset Blvd. (1950 Wilder), feature film]]||A faded silent movie star dreams of making a triumphal return to the screen as Salome.
|-
|[[1953]]||[[Rita Hayworth (1918-1987), American actress]]||[[Salome (1953 Dieterle), feature film]]||
|-
|[[1957]]||[[Helga Pilarczyk (1926-2011), German singer]]||[[Salome (1957 Goehr, Pilarczyk / @1905 Strauss), video recording (opera)]]||
|-
|[[1961]]||[[Brigid Bazlen (1944-1989), American actress]]||[[King of Kings (1961 Ray), feature film]]||Bases on the [[Gospel of Mark]] and the [[Gospel of Matthew]]. Produced in the United States.
|-
|[[1964]]||[[Paola Tedesco (b.1952), Italian actress]]||[[Il vangelo secondo Matteo (The Gospel According to St. Matthew / 1964 Pasolini), feature film]]||Bases on the [[Gospel of Matthew]]. Produced in [[Italy]].
|-
|[[1969]]||[[Ludmilla Tchérina (1924–2004), Russian French dancer & actress]]||[[Salomé (Salome / 1973 Koralnik), TV film-play]]||Filmization of the 1893 Wilde play. Choreographed by [[Maurice Béjart]]. Produced and broadcast in France (9 May 1969).
|-
|[[1971]]||[[Mascha Rabben (b.1949), German actress]]||[[Salome (1971 Schroeter), TV film-play]]||Filmization of the 1893 Wilde play. Produced and broadcast in West Germany (11 June 1971). 
|-
|[[1972]]||[[Donyale Luna (b.1945-1979), African-American actress]]||[[Salomé (1972 Bene), film]]||Freely inspired by the 1893 Wilde play. Produced in Italy. 
|-
|[[1974]]||[[Teresa Stratas (b.1938), Canadian singer]]||[[Salome (1974 Böhm, Stratas / Friedrich / @1905 Strauss), video recording (opera)]]||
|-
|[[1979]]||[[Montserrat Caballé (b.1933), Spanish singer]]||[[Salome (1979 Rudel, Caballé / @1905 Strauss), video recording (opera)]]||
|-
|[[2005]]||[[Carolina Felline (b.1978), Italian actress]]||[[Chiamami Salomé (Call Me Salome / 2005 Sestieri), feature film]]|| Produced in Italy.
|-
|[[2007]]||[[Alexia Anastasio (b.1981), American actress & film director]]||[[Salome (2007 Anastasio), short film]]|| Produced in the United States.
|-
|[[2008]]||[[Nadja Michael (b.1969), German singer]]||[[Salome (2008 Jordan, Michael / McVicar / @1905 Strauss), video recording (opera)]]||
|-
|[[2008]]||[[Karita Mattila (b.1960), Finnish singer]]||[[Salome (2008 Summers, Mattila / Sweete / @1905 Strauss), video recording (opera)]]||
|-
|[[2009]]||[[Emily Gajek]]||[[Salome (2009 Quint), short film]]|| Produced in the United States.
|-
|[[2010]]||[[Débora Melo]]||[[Salomé (Salome / 2010 Cabral), short film]]|| Produced in Brazil.
|-
|[[2012]]||[[Angela Denoke (b.1961), German singer]]||[[Salome (2012 Soltesz, Denoke / Lehnhoff / @1905 Strauss), video recording (opera)]]|| Released as a DVD.
|}
|}

Revision as of 08:43, 6 February 2017

Salome Caracciolo.jpg


Salome (1st century CE) was the daughter of Herodias and Herod II, and the step-daughter of Herod Antipas.

Salome -- Sources
Salome -- Sources

The character of Salome is mentioned both in Josephus and in the Gospels of Mark and Matthew.

The Gospels of Mark and Matthew (which do not mention her name or any other incidents in her life) suggest her (involuntary) involvement in the death of John the Baptist. They tell us that as a girl she danced before her uncle (and now step-father) Herod Antipas. At the instigation of her mother Herodias, she requested and obtained the head of John the Baptist as her reward from the king.

Josephus (who does not mention Salome in his account of the death of John the Baptist), in a genealogical list of the descendants of Herod the Great, talks briefly of her life as the daughter of Herod II and Herodias, and the step-daughter of Herod Antipas after her mother's divorce and remarriage. Salome was given as wife to her uncle Herod Philip, son of Herod the Great. A young widow, she remarried with Aristobulus of Chalcis, from whom she had three sons named Herod, Agrippa and Aristobulus (see Ant XVIII 136-137).

The story of Salome and her involvement in the death of John the Baptist is repeated also in Islamic traditions.

Gabriele Boccaccini, University of Michigan

From the historical point of view, Salome is part of the scion of powerful and politically engaged women that characterized the House of Hasmoneus and the House of Herod, from Queen Salome Alexandra to Alexandra the Hasmonean, Mariamne, Herodias, Berenice, Drusilla, and others. Research on Salome however is limited by the paucity of historical sources and the legendary nature of the Gospel account.

Scholars have rather focused on the study of the Salome legend and its ramifications in literature and the arts.

Related categories

External links


Salome -- Highlights
Salome -- Highlights

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The character of Salome has been subjected in fiction to a dramatic metamorphosis, from innocent child or indifferent teenager to powerful icon of morbid female seductiveness (and anti-Semitism). Salome is one of the most successful and recognizable characters from Second Temple Judaism in modern culture.

In medieval Christian iconography, Salome is portrayed as an innocent child, the passive instrument of her mother's revenge. By the 16th century, the character has matured into a teenager, now more indifferent than innocent to the drama in which she has been involved. The turning point is the second half of the 19th century when Salome is transformed into an Oriental beauty, fully self-conscious of her power of seduction. In the works of Oscar Wilde and Richard Strauss she becomes the epitome of the femme fatale, a sensual, morbid and sadistic character who destroys the men she loves.

Gabriele Boccaccini, University of Michigan

Pages in category "Salome (subject)"

The following 72 pages are in this category, out of 72 total.

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Media in category "Salome (subject)"

The following 26 files are in this category, out of 26 total.

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