Category:Salome--music (subject)

From 4 Enoch: : The Online Encyclopedia of Second Temple Judaism, and Christian and Islamic Origins
Jump to navigation Jump to search
2008 (Jordan)
2008 (Sweete)
2012 (Lehnhoff)

Works of music on Salome

Overview

Salome first emerged as a "singing" character in the tradition of the oratorios since the end of the 17th century. The first oratorio to be recorded as having Salome among its characters is San Giovanni Battista (St John the Baptist / 1675 Stradella / Acciaiuoli), oratorio. In the oratorios the protagonist is John the Baptist and the plot closely follows the biblical narrative.

Among the most celebrated oratorios dealing with the death of John the Baptist is Il Batista (1727 Caldara / Zeno), oratorio, which premiered in Vienna in 1727. It is the first of which the name of the interpreter of Salome is recorded--"Signora Helvertin."

The season of the "biblical" oratorios ended with St John the Baptist (1873 Macfarren / Monk), oratorio. The transition to the opera came with Hérodiade (1881). In Jules Massenet's opera the character of Salome takes central stage and a life of her own but still preserves her "biblical" innocence. In the 1880s Hérodiade" was performed in Belgium, Italy, France, Germany and in 1892 reached New Orleans.

Everything changed in 1896 with the premiere in Paris of Salomé (Salome / 1893 Wilde), play. Salome lost her innocence and became the embodiment of the femme fatale who seduces and destroys her lovers. The "Salomania" spread in every corner of Europe and America.

Based on Wilde's play, Richard Strauss's Salome premiered in Dresden on 9 December 1905 (starring Marie Wittich in the title role). It was an immediate success. In 1906 the opera was performed in a dozen theaters, including Graz, Cologne, Berlin (starring Emmy Destinn), Turin, and Milan (under the direction of Arturo Toscanini). In spite of the composer's invitation to look at the opera as nothing more than "a scherzo with a fatal conclusion," many regarded it as a gruesome middlebrow entertainment. When the opera opened at the New York Metropolitan Opera on 22 January 1907, accusations of vulgarity and indecency led to the cancellation of the show and the opera would not be performed again at the Met until 1934. In Austria, Russia and other countries the opera was banned even before being performed.

And yet, Strauss's Salome was an unstoppable success. In March 1907 the French version of the opera premiered in Brussels, of which a scaled-down rendition was also given in Paris a few days before the German version opened there at the Théâtre du Châtelet on 8 May 1907 under the direction of the composer. Aino Ackté played Salome in the 1907 Leipzig premiere as well as in the 1910 London premiere. In spite of the Met's boycott, the Salomania hit New York again at the Manhattan Opera House in 1909 with Mary Garden.

Among the early interpreters of Strauss's Salome are Göta Ljungberg, Maria Jeritza, Maria Cebotari, and Christle Goltz, Probably the most famous of all was the Bulgarian soprano Ljuba Welitsch, who sang it in the presence of the composer at a performance given to mark his 80th birthday in Vienna in 1944.

Strauss's Salome is regularly staged in the major opera theaters and is now available also in numerous sound and video recordings, featuring interpreters such as Birgitt Nilsson, Leonie Rysanek, Hildegard Behrens, Montserrat Caballé, Josephine Barstow, Catherine Malfitano, Maria Ewing, Nadja Michael, Karita Mattila and Angela Denoke.

Although overshadowed by Strauss's Salome, Massenet's Hérodiade has not ceased to be performed and recorded, offering the soprano the intriguing possibility to play the same role in two different operas.

@2017 Gabriele Boccaccini, University of Michigan

Performing Salome (opera)

1850s Salome Opera Notes
1881 Marthe Duvivier Hérodiade (Herodias / 1881 Massenet / Milliet, Grémont), opera Premiere
1882 Medea Borelli Erodiade, Italian ed. (Herodias / 1882 Faccio / @1881 Massenet), Milan production (opera) Milan (and Italian) premiere
1884 Fidès Devriès Erodiade, Italian ed. (Herodias / 1884 Gialdini / @1881 Massenet), Paris production (opera) Premiere of the revised version
1886 Elisa Frandin Erodiade, Italian ed. (Herodias / 1886 Mascheroni / @1881 Massenet), Bologna production (opera) Italian premiere of the Revised version
1892 Marthe Duvivier Hérodiade (Herodias / 1892 / @ 1881 Massenet), New Orleans production (opera) American premiere.

1900s Salome Opera Notes
1903 Emma Calvé Hérodiade (Herodias / 1903 Luigini / @ 1881 Massenet), Paris production (opera) Paris premiere of the revised version in French
1904 Emma Calvé Salomé = Hérodiade (Herodias / 1904 Lohse / @1881 Massenet), London production (opera) London premiere
1905 Marie Wittich Salome (1905 Strauss / Lachmann), opera Dresden premiere (9 December 1905)
1906 Jenny Korb Salome (1906 Strauss, Korb / @1905 Strauss), Graz production (opera) Graz premiere (16 May 1906)
1906 Fanchette Verhunk Salome (1906 Prüwer, Verhunk / @1905 Strauss), Breslau production (opera) Breslau premiere (1906) and Vienna premiere (15 May 1907)
1906 Alice Guszalewicz Salome (1906 Strauss, Guszalewicz / @1905 Strauss), Cologne production (opera) Cologne premiere
1906 Emmy Destinn Salome (1906 Strauss, Destinn / @1905 Strauss), Berlin production (opera) Berlin premiere (5 December 1906)
1906 Gemma Bellincioni Salomè, Italian ed. (Salome / 1906 Strauss, Bellincioni / @1905 Strauss), Turin production (opera) Turin premiere (23 December 1906)
1906 Solomiya Krushelnytska Salomè, Italian ed. (Salome / 1906 Toscanini, Krushelnytska / @1905 Strauss), Milan production (opera) Milan premiere (26 December 1906)
1907 Olive Fremstad Salome (1907 Hertz, Fremstad / @1905 Strauss), New York (Met) premiere New York premiere (22 January 1907)
1907 ??? Salomé, French ed. (1907 / @1905 Strauss), Brussels production (opera) Brussels (25 March 1907) & Paris (29 April 1907) premiere
1907 Emmy Destinn Salome (1907 Strauss, Destinn / @1905 Strauss), Paris production (opera) Paris premiere (8 May 1907)
1907 Emmy Destinn Salome (1907 Strauss, Destinn / @1905 Strauss), sound recording (opera) Excerpts of the opera.
1907 Aino Ackté Salome (1907 Strauss, Ackté / @1905 Strauss), Leipzig production (opera) Leipzig premiere
1908 Mlle. De Wailly Salomé (1908 Mariotte / Wilde), opera Lucienne Bréval was Salome in the Paris performances in 1910 and 1919.
1909 Mary Garden Salomé, French ed. (Salome / 1909 Garden / @1905 Strauss), New York (Manhattan) production Manhattan Opera House
1909 Lina Cavalieri Hérodiade (Herodias / 1909 Fuente / @1881 Massenet), New York production (opera) New York premiere (Manhattan Opera House)

1910s Salome Opera Notes
1910 Lucienne Bréval Salomé (1910 @1908 Mariotte), Paris production (opera)
1910 Aino Ackté Salome (1910 Beecham, Ackté / @1905 Strauss), London production (opera) London premiere
1911 Zina Brozia Hérodiade (Herodias / 1911 Amalou / @1881 Massenet), Paris production (opera) Paris production
1919 Lucienne Bréval Salomé (1910 @1908 Mariotte), Paris production (opera)

1920s Salome Opera Notes
1920 [[]] Salomé, vierge folle (Salome, Mad Virgin / 1920 Raphaël), opera Premiere
1921 Fanny Heldy Hérodiade (Herodias / 1921 Gaubert / @1881 Massenet), Paris production (opera) Paris production (revival)
1924 Göta Ljungberg Salome (1924 Coates, Ljungberg / @1905 Strauss), sound recording (opera) First sound recording
1924 ??? Salome (1924 / @1905 Strauss), Leningrad production (opera) Russian premiere 6 June 1924, State Academic Opera and Ballet Theatre (Mariinsky Theatre), Leningrad
1928 Ninon Vallin Hérodiade (Herodias / 1928 Cloëz / @1881 Massenet), sound recording (opera) Paris production

1930s Salome Opera Notes
1934 Göta Ljungberg Salome (1934 Bodanzky, Ljungberg / @1905 Strauss), sound recording (opera)

1940s Salome Opera Notes
1942 Else Schulz Salome (1942 Strauss, Schulz / @1905 Strauss), Vienna production, sound recording (opera)
1945 Lily Djanel Salome (1945 Sébastian, Djanel / @1905 Strauss), San Francisco production, sound recording (opera)
1947 Maria Cebotari Salome (1947 Krauss, Cebotari / @1905 Strauss), London production, sound recording (opera)
1948 Christel Goltz Salome (1948 Keilberth, Goltz / @1905 Strauss), sound recording (opera)
1949 Ljuba Welitsch Salome (1949 Reiner, Welitsch / @1905 Strauss), New York production, sound recording (opera)

1950s Performer Opera Notes
1957 Helga Pilarczyk Salome (1957 Goehr, Pilarczyk / @1905 Strauss), video recording (opera)

1970s Salome Opera / Ballet Notes
1971 Leonie Rysanek Salome (1971 Leitner, Rysanek / @1905 Strauss), Munich production, sound recording (opera)
1971 Montserrat Caballé Salome (1971 Mehta, Caballé / @1905 Strauss), Orange production, sound recording (opera)
1972 Leonie Rysanek Salome (1972 Böhm, Rysanek / @1905 Strauss), New York production, sound recording (opera)
1972 Leonie Rysanek Salome (1972 Böhm, Rysanek / @1905 Strauss), Vienna production, sound recording (opera)
1974 Teresa Stratas Salome (1974 Böhm, Stratas / Friedrich / @1905 Strauss), video recording (opera), by Richard Strauss (mus.)
1974 Leonie Rysanek Salome (1974 Kempe, Rysanek / @1905 Strauss), Orange production, sound recording (opera)
1974 Muriel de Channes Hérodiade (Herodias / 1974 Lloyd-Jones / @1881 Massenet), sound recording (opera)
1975 Marisa Galvany Hérodiade (Herodias / 1975 Andersson / @1881 Massenet), New Orleans production, sound recording (opera)
1977 Hildegard Behrens Salome (1977 Karajan, Behrens / @1905 Strauss), Salzburg production, sound recording (opera)
1977 [[]] Salome, Daughter of Herodias (1977 Sams / Janer), opera
1977 Eilene Hannan Hérodiade (Herodias / 1977 Stapleton / @1881 Massenet), Wexford production, sound recording (opera)
1978 Vivi Flindt (dancer) Salome (1978 Davies / Flindt), ballet
1979 Montserrat Caballé Salome (1979 Rudel, Caballé / @1905 Strauss), Madrid production, video recording (opera)

1980s Salome Opera Notes
1984 Montserrat Caballé Hérodiade (Herodias / 1984 Delacôte / @1881 Massenet), Barcelona production, video recording (opera)
1987 Leona Mitchell Hérodiade (Herodias / 1987 Prêtre / @1881 Massenet), Nice production, sound recording (opera)

1990s Salome Opera Notes
1990 Jessye Norman Salome (1990 Ozawa, Norman / @1905 Strauss), sound recording (opera)
1990 Cheryl Studer Salome (1990 Sinopoli, Studer / @1905 Strauss), sound recording (opera)
1991 Catherine Malfitano Salome (1991 Sinopoli, Malfitano / Weigl, Large / @1905 Strauss), video recording (opera)
1991 Karen Huffstodt Salome, French ed. (1991 Nagano, Huffstodt / @1905 Strauss), sound recording (opera)
1992 Maria Ewing Salome (1992 Downes, Ewing / Bailey / @1905 Strauss), video recording (opera)
1994 Renée Fleming Hérodiade (Herodias / 1994 Gergiev / @1881 Massenet), San Francisco production, sound recording (opera)
1994 Cheryl Studer Hérodiade (Herodias / 1994 Plasson / @1881 Massenet), Toulouse production, sound recording (opera)
1995 Renée Fleming Hérodiade (Herodias / 1995 Queler / @1881 Massenet), New York production, sound recording (opera)
1995 Nancy Gustafson Hérodiade (Herodias / 1995 Viotti / @1881 Massenet), Vienna production, sound recording (opera)
1997 Catherine Malfitano Salome (1997 Dohnányi, Malfitano / Bondy, Hulscher / @1905 Strauss), video recording (opera)

2000s Salome Opera Notes
2001 Alexia Cousin Hérodiade (Herodias / 2001 Fournillier / @1881 Massenet), Saint-Étienne production, video recording (opera)
2002 Barbara Haveman Hérodiade (Herodias / 2002 Lacombe / @1881 Massenet), Liege production, sound recording (opera)
2005 Kate Aldrich Salomé (2005 Layer / @1908 Mariotte), Montpellier production, sound recording (opera) Wiki]
2008 Nadja Michael Salome (2008 Jordan, Michael / McVicar / @1905 Strauss), London production, video recording (opera) Wiki.en
2008 Karita Mattila Salome (2008 Summers, Mattila / Sweete / @1905 Strauss), video recording (opera), , by Richard Strauss (mus.) Wiki.en

2010s Salome Opera Notes
2010 ??? Cedar Rapids Opera Theatre Presents: Salome (2010 Johnson / @1905 Strauss), TV film (opera) [ Wiki.en]
2012 Angela Denoke (s.) Salome (2012 Soltesz, Denoke / Lehnhoff / @1905 Strauss), video recording (opera), by Richard Strauss (mus.) Wiki.en

Bibliography

Performing Salome (ballet)

In the Gospel narrative Salome "danced" before Herod Antipas, and Christian iconography often represented her in the act of dancing. Hence, whoever performs Salome must be a dancer (at least to a certain extent), even when she is primarily an actress or a singer.

In 1895 Loie Fuller was the first solo dancer to present a Salome piece and she did it in linea with the old traditional view of Salome as an innocent child. But the great success of Oscar Wilde's play (in Paris [1896] and Berlin [1901]) and Richard Strauss's opera (1905) changed radically the popular view of Salome, from innocent chid to femme fatale.

In Wilde and Strauss the dance of Salome became the epitome of her seductiveness--the Dance of the Seven Veils. Both classical and vaudeville dancers contributed to create the tragic character of a seductive and perverse woman that ultimately destroys herself with the object of her own desires. They offered solo performances, or substituted actresses and singers who were unable or unwilling (for reasons of decency) to perform the Dance of the Seven Veils. And when professional dancers were not involved, actresses and singers turned into dancers, offering some remarkable dancing performances on stage or on the screen.

The Salome craze, or Salomania (as it was renamed by Percival Polland in the New York Time in late August 1908), reached its peak in the years 1907-09, when the Dance of Salome attracted the attention of the most famous ballerinas, becoming for some time a fever that spread in all Europe and the United States. It started in Europe with The Vision of Salome by Canadian dancer Maud Allan, which premiered in Vienna in December 1906 and then appeared in some of the major European theaters, in Budapest, Berlin, Marienbad, finally to triumph at the Palace Theatre in London in March 1908. In line with the new identity of femme fatale of the character, in November 1907 Loise Fuller performed in Paris a very different Salome from her first work on the subject, on music specifically composed by Florent Schmitt.

In the meantime, Strauss's Salome had been first performed in New York on 22 January 1907. As was common practice, dancer Bianca Froelich substituted soprano Olive Fremstad during Salome's Dance of the Seven Veils. Her realistic performance contributed to the scandal and the show was cancelled within days. By public demand, Froelich immediately began performing her opera choreography at the Lincoln Square Variety Theater before wildly enthusiastic audiences. It was not long that the Salome Dance entered the vaudeville, performed by Mdlle. Dazie in the Ziegfelt Follies of 1907. The show opened on 9 July 1907 at the Jardin de Paris in New York.

The scandal of the New York premiere and the success of these early performances by [[inspired Gertrude Hoffman to offer her own interpretation of the Vision of Salome. In April 1908 she traveled to Englabd with her husband with the specific goal of getting Allan's dance, which was enjoying a lasting success in London. On 13 July 1908 show opened at Hammerstein's Paradise Garden Roof Theater. It was an overnight sensation and every vaudeville theatre staged its own Salome dance. In the Summer 1908 newspapers and journals in the Jardin de Paris States denounced an outbreak of "The Salome Epidemic": "There are no many dancers appearing as the daughter of Herodias that it is impossible to make more than a guess at their number. There is hardly a vaudeville house that cannot boast its own Salome, whether it be Hammerstein's Roof Garden, the Casino, the Alhambra, or a third or four class hall" (The Sketch 63 [1908] 345). Among the most celebrated American vaudeville dancers to specialize as "Salome dancers" were Hilde Caroll, La Syplhe, Lotta Faust, Vera Olcott (Theatre Unique), Eva Tanguay, La Jardin de Paris Zola, La Petite Adelaide, and Aida Overton Walker. When in 1909 Strauss's Salome returned at New York at the Manhattan Opera House, it was a triumph. Enthusiastic audiences rushed to see soprano Mary Garden performing herself a much daring version of the Dance of Seven Veils.

While the "epidemic" was quickly over, Salome remained a fashionable presence on stage. New productions of Schmitt's ballet were performed in Paris in the 1910s and 1920s. In 1912 in a private performance at Palazzo Barberini before the Prince of San Faustino, Mata Hari used the Strauss music and played a topless and laughing Salome.

Many famous choreographers have recreated Salomé's Dance of the Seven Veils for productions of either the Wilde play or the Strauss opera, including Maurice Bejart, Mark Morris (Seattle Opera, 1986), and Doug Varone (Metropolitan Opera, 2004). Some have created solo performances, based on the music of Strauss or other composers. Some have choreographed ballet music composed by musicians, like Florent Schmitt and Paul Hindemith, specifically for the Salome dance.

Among the most notable actresses and dancers to perform Salome on screen are Rita Hayworth and Brigid Bazlen. Only in Pasolini's film The Gospel according to Matthew (1964), Salome, played by 12-year-old Paola Tedesco, was allowed to return an innocent child, playing an innocent, joyful dance before her parents, unaware of the consequences of her action.

The two typologies of Salome, innocent child or perverse seductress, have continued to coexist. In more recent decades a third typology has emerged in some productions that have given a homosexual understanding of the story.

In an interview published by Solomon Volkov in 1985, two years after the death of the choreographer, George Balanchine stated that he always believed that Oscar Wilde was thinking of a pretty boy when he wrote of Salome. The first production of Salome to play up a transvestite angle was the Italian film director Luchino Visconti's production of Strauss's opera at the Spoleto Festival in 1961, under the baton of Thomas Schippers. There the Dance of the Seven Veils was performed not by the soprano (Margaret Tynes) but by a group of young men. Choreographers Lyndsay Kemp in 1975 and Maurice Bejart in 1983 even more explicitly linked the character of Salome to transvestitism by adapting the role for a male dancer. Russell's film Salome's Last Dance (1987) located the representation of Wilde's work in an all-male brothel, revealing at the climax of the Dance of the Seven Veils that the "female" protagonist (Imogen Millais-Scott) was transgender.

Other versions of the story were choreographed by

Bibliography

  • Marlis Schweitzer, "The Salome Epidemic: Degeneracy, Disease, and Race Suicide," in The Oxford Handbook of Dance and Theater (Oxford 2015), pp.
  • Debra Craine, and Judith Mackrell (eds.), The Oxford Dictionary of Dance, 2010.
  • Clair Rowden (ed.), Performing Salome, Revealing Stories (Routledge, 2013)
  • Davinia Caddy, "Variations on the Dance of the Seven Veils," Cambridge Opera Journal 17.1 (2005) 37–58 [1]
  • Toni Bentley, Sisters of Salome (New Haven, 2002).
  • William Tydeman and Steven Price, Wilde: Salome (Cambridge, 1996), 136–51
  • Richard Bizot, "The Turn-of-the-Century Salome Era: High- and Pop-Culture Variations on the Dance of the Seven Veils," Choreography and Dance 2 (1992) 71–87
  • Judith Lynne Hanna, Dance, Sex, and Gender: Signs of Identity, Dominance, Defiance, and Desire, University of Chicago Press, 1988
  • "The Vulgarization of Salome," Current Literature 45 (1908) 437-440

Year Salome Ballet Notes
1895 Loie Fuller Salome (1895 Fuller), ballet
1906 Maud Allan The Vision of Salome (1906 Allan), ballet
1907 Bianca Froelich Salome (1907 Hertz, Fremstad / @1905 Strauss), New York (Met) premiere & Salome's Dance (1907 Froelich), ballet Bianca Froelich performed the Dance of the Seven Veils at the New York premiere of Richard Strauss's opera.
1907 Mdlle. Dazie Salome's Dance (1907 Dazie), ballet
1908 Loie Fuller La tragédie de Salomé (The Tragedy of Salome / 1907 Schmitt), ballet, by Florent Schmitt (mus.)
1908 Gertrude Hoffmann A Vision of Salome (1908 Hoffmann), ballet
1908 Aida Overton Walker The Vision of Salome (1908 Overton-Walker), ballet
1908 Eva Tanguay The Vision of Salome (1908 Tanguay), ballet
1908 Ida Rubinstein Salome (1908 Fokine, Glazunov), ballet Mimed performance at St. Petersburg. Music: Glazunov Set & costumes: Bakst.
1909 Mary Garden Salomé, French ed. (Salome / 1909 Garden / @1905 Strauss), New York (Manhattan) production Manhattan Opera House
1912 Mata Hari Salome's Dance (1912 Hari / @1905 Strauss), ballet
1912 Natasha Trouhanova Florent Schmitt -- La tragédie de Salomé (The Tragedy of Salome / 1912 Guerra / @1907 Schmitt), ballet Schmitt revised the score for Natasha Trouhanova in 1912 which was choreographed by Nicholas Guerra.
1913 Tamara Karsarvina La tragédie de Salomé (The Tragedy of Salome / 1913 Romanov / @1907 Schmitt), ballet In 1913 the Diaghilev’s company (Ballets Russes) staged a version with the choreography by Boris Romanov starring Tamara Karsarvina. Decor: Sergei Soudeikine. There was a later production by Serge Lifar.
1917 Alisa Koonen Salomé (1917 Mordkin, Gyutel), ballet Kamerny Thatre, Moscow, 9 October 1917 - Music: Jules Gyutel -- Alisa Koonen (Salome), Ivan Arkadin (Herod Antipas), Nikolai Tseretelli (John the Baptist)
1919 Ida Rubinstein La tragédie de Salomé (The Tragedy of Salome / 1919 Guerra / @1907 Schmitt), ballet New choreography by Nicholas Guerra.
1921 Aleksandra Balashova Salome's Dance (1921 Gorsky / @1905 Strauss), ballet Moscow production (January 1921). Last ballet of Balashova (1887-1979) in Russia before leaving for America.
1928 Olga Spessivtseva La tragédie de Salomé (The Tragedy of Salome / 1928 / @1907 Schmitt), Paris production (ballet) Paris production
1944 ??? La tragédie de Salomé (The Tragedy of Salome / 1944 / @1907 Schmitt), Paris production (ballet) Paris production
1944 Martha Graham Hérodiade (Herodias / 1944 Graham, Hindemith), ballet Paris production
1949 Celia Franca The Dance of Salome (1949 Franca / Hartley), TV film (ballet) Silent film.
1953 Rita Hayworth Salome (1953 Dieterle), feature film USA Wiki Imdb
1954 Lycette Darsonval La tragédie de Salomé (The Tragedy of Salome / 1954 Aveline / @1907 Schmitt), Paris production (ballet) Paris production
1961 Brigid Bazlen (actress) King of Kings (1961 Ray), feature film - Based on the Gospel of Mark and the Gospel of Matthew United States
1964 Paola Tedesco (child actress) Il vangelo secondo Matteo (The Gospel According to St. Matthew / 1964 Pasolini), feature film - Based on the Gospel of Matthew Italy
1973 Ludmilla Tchérina (dancer) Salomé (Salome / 1973 Koralnik), TV film-play - Filmization of the 1893 Wilde play. Choreographed by Maurice Béjart Produced and broadcast in France (9 May 1969).
1973 Carla Fracci La tragédie de Salomé (The Tragedy of Salome / 1973 Gai / @1907 Schmitt), ballet Maggio Musicale Fiorentino. New choreography by Loris Gai. Bruce Marks (Herod Antipas), Sallie Wilson (Herodias), Carla Fracci (Salome), Francois Klaus (John the Baptist). 19, 21, 22, 23 June 1973 (4 performances) Edoardo Muller, conductor
1978 Vivi Flindt Salome (1978 Davies / Flindt), ballet
1983 Patrick Dupont Salome (1983 Bejart / Drigo), ballet Maurice Bejart]] (1983) First produced in Geneva, with recorded music by Riccardo Drigo. Salome here a male dancer, Patrick Dupont, who performs a solo in an imposing gown, unequivocally linking the character to transvestitism.
2002 Aída Gómez Salomé (Salome / 2002 Saura / Baños, Tomatito), film-ballet
2013 Viktoria Brilyova La tragédie de Salomé (The Tragedy of Salome / 2013 Faski / @1907 Schmitt), St. Petersburg production (ballet) Emil Faski, chor. The Mariinsky Ballet’s production premiered in Russia on 9 March 2013 at the XIII Ballet Festival MARIINSKY, followed by stagings outside the country, including May 28, 29, 30, 31, June 1, 2013 – Teatro Verdi Orchestra (Trieste); Alexei Repnikov, conductor

Pages in category "Salome--music (subject)"

The following 162 pages are in this category, out of 162 total.

1

2

Media in category "Salome--music (subject)"

This category contains only the following file.