Difference between revisions of "Category:Cinema--2000s"

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Two movies on Jesus and Christian Origins (''[[The Passion of the Christ (2004 Gibson), feature film|The Passion of the Christ]]'' and ''[[The Da Vinci Code (2006 Howard), feature film|The Da Vinci Code]]'') were among the most successful movies of the 2000s. They both dramatically departed in their own way from mainstream scholarly views, each representing the opposite poles of interpretation. The former was a devotional movie which gained the enthusiastic support of the most theologically conservative Christian groups. The latter was a New-Age fantasy which speculated on [[Jesus's bloodline]]. Both movies were not intended to build bridges of understanding, but to divide and polarize audiences.  
Two movies on Jesus and Christian Origins (''[[The Passion of the Christ (2004 Gibson), feature film|The Passion of the Christ]]'' and ''[[The Da Vinci Code (2006 Howard), feature film|The Da Vinci Code]]'') were among the most successful movies of the 2000s. They both dramatically departed in their own way from mainstream scholarly views, each representing the opposite poles of interpretation. The former was a devotional movie which gained the enthusiastic support of the most theologically conservative Christian groups. The latter was a New-Age fantasy which speculated on [[Jesus's bloodline]]. Both movies were not intended to build bridges of understanding, but to divide and polarize audiences.  


The most innovative movies on Jesus were produced outside Hollywood. ''[[The Son of Man (2005 Dornford-May), feature film|The Son of Man (2005)]] gave a contemporary African setting to the story of Jesus. [[Mesih (The Messiah / 2007 Talebzadeh), film]] was the first movie to depict the life of Jesus from an Islamic perspective, as Muhammed's precursor and foreteller who ascended to heaven before the crucifixion.
The most innovative movies on Jesus were produced outside Hollywood. ''[[The Son of Man (2005 Dornford-May), feature film|The Son of Man (2005)]] gave an unexpectedly effective and touching contemporary African setting to the story of Jesus. [[Mesih (The Messiah / 2007 Talebzadeh), film]] was the first movie to depict the life of Jesus from an Islamic perspective, as Muhammed's precursor and foreteller who ascended to heaven before the crucifixion.
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Revision as of 04:46, 23 August 2018

Cinema.jpg


The page: Cinema--2000s, includes (in chronological order) literary works of Cinema, made in the 2000s, or from 2000 to 2009.


File:Passion Christ Gibson.jpg
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File:Son Man Dornford-May.jpg
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2006 Howard (film).jpg


Highlights (2000s)
Highlights (2000s)


History of research (2000s)
History of research (2000s)

Two movies on Jesus and Christian Origins (The Passion of the Christ and The Da Vinci Code) were among the most successful movies of the 2000s. They both dramatically departed in their own way from mainstream scholarly views, each representing the opposite poles of interpretation. The former was a devotional movie which gained the enthusiastic support of the most theologically conservative Christian groups. The latter was a New-Age fantasy which speculated on Jesus's bloodline. Both movies were not intended to build bridges of understanding, but to divide and polarize audiences.

The most innovative movies on Jesus were produced outside Hollywood. The Son of Man (2005) gave an unexpectedly effective and touching contemporary African setting to the story of Jesus. Mesih (The Messiah / 2007 Talebzadeh), film was the first movie to depict the life of Jesus from an Islamic perspective, as Muhammed's precursor and foreteller who ascended to heaven before the crucifixion.


2000s.jpg


Cinema : 2010s -- 2000s -- 1990s -- 1980s -- 1970s -- 1960s -- 1950s -- 1940s -- 1930s -- 1920s -- 1910s -- 1900s -- 1850s


Fields research.jpg




Pages in category "Cinema--2000s"

The following 132 pages are in this category, out of 132 total.

 

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Media in category "Cinema--2000s"

The following 3 files are in this category, out of 3 total.

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