Difference between revisions of "File:1927 DeMille (film).jpg"

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* [[:Category:1927, Top Films]]
[[File:Jesus Film DeMille.gif|thumb|200px]]
 
Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to confront Jesus, but when she meets Him, she repents her wickedness and becomes His follower. Thereafter, the Gospel story unfolds through the Ministry, the Crucifixion and the Resurrection of Jesus, all witnessed by Jesus' devoted follower (and future evangelist), the boy Mark (Micky Moore). <[https://www.boyactors.org.uk/movie.php?ref=4744 BoyActors]>
 
 
[[Category:1927]]
[[Category:1920s]]
 
[[Category:Film Studies--1920s]]
[[Category:Film Studies--American]]
[[Category:Film Studies]]
 
[[Category:1914 * Moore, Michael D. (actor) USA]]
[[Category:1918 * McCormac, Muriel (actor) USA]]
 
[[Category:Bible (film subject)]]
[[Category:Jesus of Nazareth (film subject)]]
[[Category:Children (film subject)]]
 


''' The King of Kings ''' (1927) is a feature film (silent, B&W, 155m), directed by [[Cecil B. DeMille]].
''' The King of Kings ''' (1927) is a feature film (silent, B&W, 155m), directed by [[Cecil B. DeMille]].


==Abstract==
Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to confront Jesus, but when she meets Him, she repents her wickedness and becomes His follower. Thereafter, the Gospel story unfolds through the Ministry, the Crucifixion and the Resurrection of Jesus, all witnessed by Jesus' devoted follower (and future evangelist), the boy Mark (Micky Moore). <[https://www.boyactors.org.uk/movie.php?ref=4744 BoyActors]>


Regarded for decades as the finest telling of the story of Jesus on film, set expectations of how the movies would handle the Gospels: sex, sin, innocent children, and extreme reverence for Jesus. Remarkable for its time is the sensitive attention to avoid any element of anti-Semitism, by stressing explicitly how the responsibility for the death of Jesus lies on the High Priest alone and not on the entire Jewish people.
Regarded for decades as the finest telling of the story of Jesus on film, set expectations of how the movies would handle the Gospels: sex, sin, innocent children, and extreme reverence for Jesus. Remarkable for its time is the sensitive attention to avoid any element of anti-Semitism, by stressing explicitly how the responsibility for the death of Jesus lies on the High Priest alone and not on the entire Jewish people.
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*[https://en.wikipedia.org/wiki/The_King_of_Kings_(1927_film) Wikipedia.en]
*[https://en.wikipedia.org/wiki/The_King_of_Kings_(1927_film) Wikipedia.en]


[[Category:1927| DeMille]]
 
 
 
[[Category:1927]]
[[Category:1920s]]
 
[[Category:Film Studies--1920s]]
[[Category:Film Studies--American]]
 
[[Category:1927, Top Films]]
 
[[Category:1914 * Moore, Michael D. (actor) USA]]
[[Category:1918 * McCormac, Muriel (actor) USA]]
 
[[Category:Bible (film subject)]]
[[Category:Jesus of Nazareth (film subject)]]
[[Category:Children (film subject)]]
 
 


[[Category:Fiction--1920s|1927 DeMille]]
[[Category:Fiction--1920s|1927 DeMille]]

Latest revision as of 06:39, 4 May 2024

Jesus Film DeMille.gif

The King of Kings (1927) is a feature film (silent, B&W, 155m), directed by Cecil B. DeMille.

Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to confront Jesus, but when she meets Him, she repents her wickedness and becomes His follower. Thereafter, the Gospel story unfolds through the Ministry, the Crucifixion and the Resurrection of Jesus, all witnessed by Jesus' devoted follower (and future evangelist), the boy Mark (Micky Moore). <BoyActors>

Regarded for decades as the finest telling of the story of Jesus on film, set expectations of how the movies would handle the Gospels: sex, sin, innocent children, and extreme reverence for Jesus. Remarkable for its time is the sensitive attention to avoid any element of anti-Semitism, by stressing explicitly how the responsibility for the death of Jesus lies on the High Priest alone and not on the entire Jewish people.

Cast

Editions

Produced in the United States (1927). Premiered at Gaiety Theatre in New York on 19 April 1927. Enjoyed immediate, international success, being subtitled in two dozen languages.

External links

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