Difference between revisions of "Category:John the Baptist--music (subject)"

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[[File:Music.jpg|thumb|200px|[[Music|Music (Home Page)]]]]
[[File:Music.jpg|thumb|200px|[[Music|Music (Home Page)]]]]


'''Works of [[music]] related to [[John the Baptist]]'''
'''[[John the Baptist]] (music)'''; see [[John the Baptist (home page)]]


* [[John the Baptist (fiction)]] : [[John the Baptist (art)]] -- [[John the Baptist (literature)]] -- [[John the Baptist (music)]] -- [[John the Baptist (dance)]] -- [[John the Baptist (cinema)]]  
* [[John the Baptist (fiction)]] -- [[John the Baptist (art)]] -- [[John the Baptist (literature)]] -- [[John the Baptist (music)]] -- [[John the Baptist (dance)]] -- [[John the Baptist (cinema)]]  


* [[John the Baptist (research)]] -- [[John the Baptist (sources)]]  
* [[John the Baptist (research)]] -- [[John the Baptist (sources)]]  

Revision as of 10:35, 2 January 2021

John the Baptist (music); see John the Baptist (home page)

Overview

With San Giovanni Battista (St. John the Baptist / 1675 Stradella / Ansaldi), oratorio, John the Baptist seemed to have found his most fitting role as a "voice" singing the praises of God. But once again it was the bizzarre circumstances of his death that attracted most of the attention. John was soon overshadowed by a mightier character, Salome, who revealed much greater potential as a singer and a dancer. She (not he) was the protagonist of the famous operas by Jules Massenet (1891) and Richard Strauss (1905). Once again John saw somebody else rise to fame while he had to decline. In the Salomania that exploded in the early 20th century, John's role was limited to being the object and the victim of Salome's lustful desire.

Performing John the Baptist (singers)

External links

Pages in category "John the Baptist--music (subject)"

The following 167 pages are in this category, out of 167 total.

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Media in category "John the Baptist--music (subject)"

The following 2 files are in this category, out of 2 total.