Difference between revisions of "Category:Judith (subject)"

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==Judith in Fiction==
==Judith in Fiction==
Judith enjoyed an extraordinary success in Christian iconography, especially in the period of the Counter-Reformation, as a symbol of the inviolability and invincibility of the Church. What made the subject so appealing to artists and audience, however, was not as much its theological meaning but rather the opportunity it offered to portray a heroine in which beauty and strength were united. Judith was usually depicted in the act of beheading Holofernes, or triumphant with the sword and the head of Holofernes, often in company with her maidservant, by artists such as [[Titian]], [[Caravaggio]], [[Valentin de Boulogne]], and many others. In the 18th century, the most illustrious composers (including Scarlatti and  Vivaldi) made Judith the protagonist of celebrated oratorios. ''La Betulia liberata'' by [[Pietro Metastasio]] became one of the most popular librettos, set to music by numerous composers, including the young Mozart. In the 19th century, Judith as other biblical heroines underwent her transformation into an Oriental beauty. The result was that her character became more and more similar to, and competing with, that of [[Salome]]. By the early 20th century, Salome replaced Judith as the most popular Biblical heroine, by taking up most of her features and adding that touch of youthful perversion that the pious widow Judith could not have.
Judith enjoyed an extraordinary success in Christian iconography, especially in the period of the Counter-Reformation, as a symbol of the inviolability and invincibility of the Church. What made the subject so appealing to artists and audience, however, was not as much its theological meaning but rather the opportunity it offered to portray a heroine in which beauty and strength were united. Judith was usually depicted in the act of beheading Holofernes, or triumphant with the sword and the head of Holofernes, often in company with her maidservant, by artists such as [[Titian]], [[Caravaggio]], [[Valentin de Boulogne]], and many others. In the 18th century, the most illustrious composers (including Scarlatti and  Vivaldi) made Judith the protagonist of celebrated oratorios. ''La Betulia liberata'' by [[Pietro Metastasio]] became one of the most popular librettos, set to music by numerous composers, including the young Mozart. In the 19th century, Judith as other biblical heroines underwent her transformation into an Oriental beauty. The result was that her character became more and more similar to, and competing with, that of [[Salome]]. By the early 20th century, Salome replaced Judith as the most popular Biblical heroine, by taking up most of her features and adding that touch of youthful perversion that the pious widow Judith could not have.
The most comprehensive monograph on Judith in the art is [[Judith, Sexual Warrior (1998 Stocker), book]].


==Related categories==
==Related categories==

Revision as of 18:17, 9 August 2010

Judith is a literary character, the protagonist of the Book of Judith.

Biography

According to the book of Judith, Judith was a wealthy and beautiful widow, who freed her people by killing Nebuchadnezzar's general Holofernes who was about to invade the land of Israel.

Judith in ancient sources

Judith in Scholarship

Scholarly research focuses on the study of the Book of Judith. The suggestion that Judith could be a fictional counterpart of the Hasmonean Queen Salome Alexandra, facing the invasion of the Armenian King Tigranes the Great would give some historical relevance to the character.

Judith in Fiction

Judith enjoyed an extraordinary success in Christian iconography, especially in the period of the Counter-Reformation, as a symbol of the inviolability and invincibility of the Church. What made the subject so appealing to artists and audience, however, was not as much its theological meaning but rather the opportunity it offered to portray a heroine in which beauty and strength were united. Judith was usually depicted in the act of beheading Holofernes, or triumphant with the sword and the head of Holofernes, often in company with her maidservant, by artists such as Titian, Caravaggio, Valentin de Boulogne, and many others. In the 18th century, the most illustrious composers (including Scarlatti and Vivaldi) made Judith the protagonist of celebrated oratorios. La Betulia liberata by Pietro Metastasio became one of the most popular librettos, set to music by numerous composers, including the young Mozart. In the 19th century, Judith as other biblical heroines underwent her transformation into an Oriental beauty. The result was that her character became more and more similar to, and competing with, that of Salome. By the early 20th century, Salome replaced Judith as the most popular Biblical heroine, by taking up most of her features and adding that touch of youthful perversion that the pious widow Judith could not have.

The most comprehensive monograph on Judith in the art is Judith, Sexual Warrior (1998 Stocker), book.

Related categories

External links

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