Difference between revisions of "Category:Women Authorship--1600s"

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[[File:Elizabeth Cary.jpg|thumb|left|150px|[[Elizabeth Cary]]]]
[[File:Elizabeth Cary.jpg|thumb|left|150px|[[Elizabeth Cary]]]]
[[File:Artemisia Gentileschi.jpg|thumb|150px|[[Artemisia Gentileschi]]]]
[[File:Madeleine de Scudéry.jpg|thumb|150px|[[Madeleine de Scudéry]]]]
[[File:Madeleine de Scudéry.jpg|thumb|150px|[[Madeleine de Scudéry]]]]
[[File:Artemisia Gentileschi.jpg|thumb|left150px|[[Artemisia Gentileschi]]]]
[[File:Maria de Agreda.jpg|thumb|150px|[[Maria de Agreda]]]]
[[File:Maria de Agreda.jpg|thumb|150px|[[Maria de Agreda]]]]
[[File:Margaret Fell.jpg|thumb|150px|[[Margaret Fell]]]]
[[File:Margaret Fell.jpg|thumb|150px|[[Margaret Fell]]]]

Revision as of 08:16, 6 October 2015

Women Authorship.jpg


The page: Women Authorship--1600s, includes (in chronological order) scholarly and fictional works on Second Temple Judaism (Jewish, Christian, and Islamic Origins), authored by Women in the 17th century, or from 1600 to 1699.


Women Authorship (1600s) -- History of research -- Overview
Women Authorship (1600s) -- History of research -- Overview

The Tragedy of Mariam, the Fair Queen of Jewry (1604) by Elizabeth Cary was the first original tragedy by a woman written in English and the earliest English handling of the story of Herod and Mariamne, based on Josephus.

In Italy Artemisia Gentileschi distinguished herself as one of the most accomplished painters of her generation. Her favorite subjects were female biblical characters, like Judith, Susanna, Elizabeth and Mary of Nazareth.

Great sensation caused in 1642 the publication of the Lettres de Bérénice à Titus by Madeleine de Scudéry. The sister of French novelist Georges de Scudéry received an abnormally well-rounded education for a woman of her time, not only in the arts but also in ancient history and languages. She reinvented the characters of Titus and Berenice as fictional protagonists of one of the most intriguing love story of antiquity.

Under the leadership of Maria de Agreda, the convent of Agreda established itself as one the centers of Spanish spirituality in the 17th century. The charismatic abbess wrote in 1637-43 and 1655-60 the Mística Ciudad de Dios, a biography of Mary of Nazareth, from her conception to her assumption to heaven, based on visions the author supposedly had from Mary herself. The book was published posthumously in Madrid in 1670. The visionary work arouse great controversy so much so that it was initially condemned by the Inquisition in 1681, but eventually approved in 1729.


Women Authorship (1600s) -- Highlights
Women Authorship (1600s) -- Highlights


1600s.jpg


2010s -- 2000s -- 1990s -- 1980s -- 1970s -- 1960s -- 1950s -- 1940s -- 1930s -- 1920s -- 1910s -- 1900s -- 1850s -- 1800s -- 1700s -- 1600s -- 1500s -- 1400s