Difference between revisions of "Category:Childhood of Jesus (subject)"

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The first lengthly movie on the Life of Jesus, [[La vie et la passion de Jésus-Christ (The Life and Passion of Jesus Christ / 1903 Zecca, Nonguet), film]], devoted to the [[Childhood of Jesus]] two scenes, which were quite different in tone. "The Holy Family at Nazareth" offers a quite "realistic" picture of Jesus working with his father, while "Jesus among the Doctors" is more formal and stereotyped in its presentation of the "canonical" subject. See [https://www.youtube.com/watch?v=w5VPWPgkT8A YouTube].
The first lengthly movie on the Life of Jesus, [[La vie et la passion de Jésus-Christ (The Life and Passion of Jesus Christ / 1903 Zecca, Nonguet), film]], devoted to the [[Childhood of Jesus]] two scenes, which were quite different in tone. "The Holy Family at Nazareth" offers a quite "realistic" picture of Jesus working with his father, while "Jesus among the Doctors" is more formal and stereotyped in its presentation of the "canonical" subject. See [https://www.youtube.com/watch?v=w5VPWPgkT8A YouTube].


The realistic path was followed by the "Protestant" [[From the Manger to the Cross (1912 Olcott), film]]. An experienced child actor, [[Percy Dyer]], was hired to play the part and the film was shot on locations, in Palestine and Egypt. Olcott drew inspiration from the work of [[James Tissot]] and the few silent scenes involving Young Jesus were a reenactment of some of Tissot's most famous paintings; cf. [Life of Jesus (1894 Tissot), art]]. See [[https://www.youtube.com/watch?v=vgYERr99yCQ YouTube].
The realistic path was followed by the "Protestant" [[From the Manger to the Cross (1912 Olcott), film]]. An experienced child actor, [[Percy Dyer]], was hired to play the part and the film was shot on locations, in Palestine and Egypt. Olcott drew inspiration from the work of [[James Tissot]] and the few silent scenes involving Young Jesus were a reenactment of some of Tissot's most famous paintings; cf. [[Life of Jesus (1894 Tissot), art]]. See [https://www.youtube.com/watch?v=vgYERr99yCQ YouTube].


The influence of [[James Tissot]] is noticeable also in [[Christus (1916 Antamoro), film]]. The "Catholic" movie, also shot "on locations," offered however a quite stereotyped picture of Jesus as a child modeled on his adult life. The theological concern was to stress that Jesus had since his childhood a clear self-consciousness of his messianic role, to the point that Young Jesus is shown constantly followed by a group of children "disciples," whom he leads, and preached to, with authority. See [https://www.youtube.com/watch?v=fOO2WB7lB6g YouTube].  
The influence of [[James Tissot]] is noticeable also in [[Christus (1916 Antamoro), film]]. The "Catholic" movie, also shot "on locations," offered however a quite stereotyped picture of Jesus as a child modeled on his adult life. The theological concern was to stress that Jesus had since his childhood a clear self-consciousness of his messianic role, to the point that Young Jesus is shown constantly followed by a group of children "disciples," whom he leads, and preached to, with authority. See [https://www.youtube.com/watch?v=fOO2WB7lB6g YouTube].  

Revision as of 12:10, 13 August 2014

Childhood of Christ (1620 Honthorst), art
Christ in the House of His Parents (1850 Millais), art
The Finding of the Saviour in the Temple (1860 Hunt), art
Young Jesus in The Son of Man (2005 Dornford-May), film


Childhood of Jesus refers to the events in the life of Jesus of Nazareth following his Nativity, before the "undocumented" Hidden Years that preceded the beginning of his Ministry.

< Life of Jesus : Nativity of Jesus -- Childhood of Jesus -- Jesus' Hidden Years -- Ministry of Jesus (Parables of Jesus, Miracles of Jesus) -- Passion of Jesus -- Resurrection of Jesus -- Relics of Jesus >


Overview

The Gospel of Luke and especially the Infancy Gospel of Thomas are the only ancient sources dealing with these years in the life of Jesus of Nazareth. The narratives are driven by theological concerns and have little historical value. Due to the lack of documentation, scholars and artists can only speculate on the whereabouts of Jesus as a boy growing up at Nazareth.

In 6th-7th cent., the History of Joseph the Carpenter adds a few elements to the tradition. In a speech to his disciples, Jesus himself reveals how much he loved his parents. Joseph in reality was his stepfather, who took in his care in his house Mary, when he was 90 years old and Mary twelve. Jesus was born when Mary was 15 and ever since he lived with his parents and two step-brothers (Judas and James the Less) Joseph had from a previous marriage. Joseph died when he was 111 years old and Jesus eighteen; see Jesus' Hidden Years.

Childhood of Jesus, in ancient sources

History of Joseph the Carpenter (6th-7th cent.)

11. Now Justus and Simeon, the elder sons of Joseph, were married, and had families of their own. Both the daughters were likewise married, and lived in their own houses. So there remained in Joseph's house, Judas and James the Less, and my virgin mother. I moreover dwelt along with them, not otherwise than if I had been one of his sons. But I passed all my life without fault. Mary I called my mother, and Joseph father, and I obeyed them in all that they said; nor did I ever contend against them, but complied with their commands, as other men whom earth produces are wont to do; nor did I at any time arouse their anger, or give any word or answer in opposition to them. On the contrary, I cherished them with great love, like the pupil of my eye.

Childhood of Jesus, in the arts

Childhood of Jesus, in the movies

Only a limited number of Jesus movies showed interest in the Childhood of Jesus, rather focusing of his Nativity, Miracles, and Passion.

The first lengthly movie on the Life of Jesus, La vie et la passion de Jésus-Christ (The Life and Passion of Jesus Christ / 1903 Zecca, Nonguet), film, devoted to the Childhood of Jesus two scenes, which were quite different in tone. "The Holy Family at Nazareth" offers a quite "realistic" picture of Jesus working with his father, while "Jesus among the Doctors" is more formal and stereotyped in its presentation of the "canonical" subject. See YouTube.

The realistic path was followed by the "Protestant" From the Manger to the Cross (1912 Olcott), film. An experienced child actor, Percy Dyer, was hired to play the part and the film was shot on locations, in Palestine and Egypt. Olcott drew inspiration from the work of James Tissot and the few silent scenes involving Young Jesus were a reenactment of some of Tissot's most famous paintings; cf. Life of Jesus (1894 Tissot), art. See YouTube.

The influence of James Tissot is noticeable also in Christus (1916 Antamoro), film. The "Catholic" movie, also shot "on locations," offered however a quite stereotyped picture of Jesus as a child modeled on his adult life. The theological concern was to stress that Jesus had since his childhood a clear self-consciousness of his messianic role, to the point that Young Jesus is shown constantly followed by a group of children "disciples," whom he leads, and preached to, with authority. See YouTube.

In 1972 Jesús, María y José (1972 Zacarías), film is the first movie entirely to focus on the childhood of Jesus at Nazareth and speculate on his whereabouts as a boy. The Mexican movie was traditional in its approach to the subject; the father of Jesus, Joseph of Nazareth, was portrayed as an old man acting as a guardian or grandfather of Jesus. Yet the script had necessarily the create an original narrative, besides the Lukean episode of Jesus among the Doctors, so inaugurating a new genre that would be soon followed by other movies.

In Jesus of Nazareth (1977 Zeffirelli), film, the TV miniseries format gave the opportunity to elaborate on Jesus' childhood, devoting two major scenes to the subject. Child actor Lorenzo Monet was chosen for his blond hair and distinctive blue eyes. Filmmaker Franco Zeffirelli's goal was to create a sharp contrast between Jesus' appearance, on one hand, and on the other, the "normality" of his family (Joseph now had the age and behavior of a real father) and the very realistic Jewish setting in which Jesus lived. The contrast reminded the viewers that Jesus, although living in this world, did not really belong to it but came from "elsewhere." The setting of the first scene is the synagogue of Nazareth. Zeffirelli insisted in having Young Jesus perform a Bar Mitzvah ceremony, even though consultant Rabbi Albert Friedlander reminded him that such ceremonies were practiced only from the 15th century. Friedlander tried to teach Lorenzo Monet to read a short portion of the Pentateuch in Hebrew, though he mumbled it and the director was not satisfied (eventually the reading was done mostly in English). The ceremony is interrupted by the arrival of Roman soldiers, which allows the filmmaker to stress the reality of Roman occupation and the violent opposition of the Zealots. The second scene illustrates the "biblical" episode of Jesus among the Doctors in the Temple of Jerusalem.

Another successful TV miniseries, Un bambino di nome Gesù (1987 Rossi), film, focused in 1987 entirely on the childhood of Jesus at the time of the stay of the Holy Family in Egypt until their return to Nazareth. Joseph was still older than Mary but like in Zeffirelli, was a mature man in the fullness of his strength. The plot was only vaguely related to the Gospel of Matthew. As a boy Jesus had to escape a murder attempt by Herod Archelaus and grew up more and more conscious of his destiny.

Jesus movies continued occasionally to include a few scenes on Young Jesus, most notably, JJesus (1979 Sykes, Krisch), film (following the Gospel of Luke). The Son of Man (2005 Dornford-May), film and Color of the Cross (2006 LaMarre), film offered the first portrays of Jesus as a black child.

In 2006 a third movies appeared to focus entirely on the childhood of Jesus, after Jesús, María y José (1972 Zacarías), film and Un bambino di nome Gesù (1987 Rossi), film. In La sacra famiglia (2006 Mertes), film, Joseph was a widower and father of three sons, who struggled to understand the true identity of the new child, born from his virgin wife. The movie followed the canonical gospels in the description of the events of the nativity of Jesus, and apocryphal narratives related to his childhood. As Young Jesus began manifesting his healing powers, suspicious and fear spread among his own relatives and neighbors.

Finally, Io sono con te (2010 Chiesa), film, while following the traditional narrative, shifted the emphasis on the anti-conformist education Jesus received from his high-spirited and independent mother, who taught his son to ask questions and challenge the tradition.

@2014 Gabriele Boccaccini, University of Michigan

External links

  • [ Wikipedia]

Pages in category "Childhood of Jesus (subject)"

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