Difference between revisions of "Salome (1947 Krauss, Cebotari / @1905 Strauss), London production, sound recording (opera)"

From 4 Enoch: : The Online Encyclopedia of Second Temple Judaism, and Christian and Islamic Origins
Jump to navigation Jump to search
 
(9 intermediate revisions by the same user not shown)
Line 1: Line 1:
[[File:Sound 1947 Reiner.jpg|thumb|300px]]
[[File:Sound 1947 Reiner.jpg|thumb|300px]]


'''Salome''' (1947) is a sound recording of [[Salome (1905 Strauss / Lachmann), opera]], conducted by [[Clemens Krauss]].
'''Salome''' (1947) is a London production and sound recording of [[Salome (1905 Strauss / Lachmann), opera]], conducted by [[Clemens Krauss]].
    
    
==Abstract==
==Abstract==


Live recording from the Vienna State opera at the Royal Opera House, 30 September 1947.
Recording of a performance given by the Vienna State Opera at Covent Garden London, England (30 September 1947).
 
"In 1947 the displaced Vienna State Opera travelled to Covent Garden for an illustrious guest run; [[Ljuba Welitsch]] sang Salome to typical acclaim but at the last performance her place was taken by a very different artist, the tragically short-lived soprano [[Maria Cebotari]], who was also singing Donna Anna and the Countess Almaviva. There's a precious off-the-air recording from that night, with [[Clemens Krauss]] conducting. Cebotari uses her fine-spun voice to suggest aristocratic breeding gone to seed; the high notes ring out effortlessly. But she is venomous when necessary, raising goose bumps in a chillingly radiant finale. Opposite her is [[Julius Patzak]], a great singing actor who had no better as [[Herod Antipas|Herod]]; his pitch is true, his tone full, his diction deliciously crisp. [[Elisabeth Höngen]] makes for a spooky [[Herodias]], speaking-singing almost in Lotte Lenya style. Krauss whips up an opulent storm of sound. Alas, the recording is poor, with much background noise and occasional distortion of pitch."--[https://www.gramophone.co.uk/features/focus/richard-strausss-salome-which-recording-is-best Gramophone]


==Cast==
==Cast==


* [[Maria Cebotari]] as [[Salome]]
* [[Maria Cebotari]] = [[Salome]]
* [[Marko Rothmüller]] as [[John the Baptist]]
* [[Marko Rothmüller]] =[[John the Baptist]]
* [[Julius Patzak]] as [[Herod Antipas]]
* [[Julius Patzak]] = [[Herod Antipas]]
* [[Elisabeth Höngen]] as [[Herodias]]
* [[Elisabeth Höngen]] = [[Herodias]]


* ''Vienna State Opera''
Karl Friedrich (Narraboth) -- Dagmar Hermann (Page) -- Peter Klein, William Wernigk, Maximilian WIllimsky, Erwin Nowaro, Ljubomir Pantscheff (Jews) -- Ludwig Weber, Hans Schweiger (Nazarenes) --
Wilhelm Felden, Hans Braun  (Soldiers) -- Alfred Muzzarelli (Cappadocian) -- Erich Majkut (Slave)
 
* ''Wiener Philharmoniker''


==Editions ==
==Editions ==
Line 26: Line 31:


[[Category:Music--1940s|1947 Krauss]]
[[Category:Music--1940s|1947 Krauss]]
[[Category:Dance--1940s|1947 Krauss]]
[[Category:Stage Productions|1947 Krauss]]
[[Category:Sound Recordings|1947 Krauss]]
[[Category:Sound Recordings|1947 Krauss]]


Line 37: Line 45:
[[Category:Death of John the Baptist (subject)|1947 Krauss]]
[[Category:Death of John the Baptist (subject)|1947 Krauss]]


[[Category:Salome (subject)|1947 Krauss]]
[[Category:Herodias--music (subject)|1947 Krauss]]
[[Category:Salome--fiction (subject)|1947 Krauss]]
[[Category:John the Baptist--music (subject)|1947 Krauss]]
[[Category:Salome--music (subject)|1947 Krauss]]
[[Category:Salome--music (subject)|1947 Krauss]]
[[Category:John the Baptist (subject)|1947 Krauss]]
[[Category:John the Baptist--music (subject)|1947 Krauss]]
[[Category:Herodias (subject)|1947 Krauss]]
[[Category:Herodias--music (subject)|1947 Krauss]]
[[Category:Herod Antipas (subject)|1947 Krauss]]
[[Category:Herod Antipas--music (subject)|1947 Krauss]]
[[Category:Herod Antipas--music (subject)|1947 Krauss]]

Latest revision as of 14:26, 10 November 2019

Sound 1947 Reiner.jpg

Salome (1947) is a London production and sound recording of Salome (1905 Strauss / Lachmann), opera, conducted by Clemens Krauss.

Abstract

Recording of a performance given by the Vienna State Opera at Covent Garden London, England (30 September 1947).

"In 1947 the displaced Vienna State Opera travelled to Covent Garden for an illustrious guest run; Ljuba Welitsch sang Salome to typical acclaim but at the last performance her place was taken by a very different artist, the tragically short-lived soprano Maria Cebotari, who was also singing Donna Anna and the Countess Almaviva. There's a precious off-the-air recording from that night, with Clemens Krauss conducting. Cebotari uses her fine-spun voice to suggest aristocratic breeding gone to seed; the high notes ring out effortlessly. But she is venomous when necessary, raising goose bumps in a chillingly radiant finale. Opposite her is Julius Patzak, a great singing actor who had no better as Herod; his pitch is true, his tone full, his diction deliciously crisp. Elisabeth Höngen makes for a spooky Herodias, speaking-singing almost in Lotte Lenya style. Krauss whips up an opulent storm of sound. Alas, the recording is poor, with much background noise and occasional distortion of pitch."--Gramophone

Cast

Karl Friedrich (Narraboth) -- Dagmar Hermann (Page) -- Peter Klein, William Wernigk, Maximilian WIllimsky, Erwin Nowaro, Ljubomir Pantscheff (Jews) -- Ludwig Weber, Hans Schweiger (Nazarenes) -- Wilhelm Felden, Hans Braun (Soldiers) -- Alfred Muzzarelli (Cappadocian) -- Erich Majkut (Slave)

  • Wiener Philharmoniker

Editions

External links