Difference between revisions of "San Giovanni Battista (St. John the Baptist / 1675 Stradella / Ansaldi), oratorio"

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* [[San Giovanni Battista (St. John the Baptist / 1960 Maghini / @1675 Stradella), radio production (oratorio)]] Il Santo: G.Las - Erodiade: R.Gary-Falachi - Erode: G. Tadeo - Il Consigliere/Uno dei Discepoli: G. Sinimberghi - La madre di Erodiade: J. Mancini. Orchestra Sinfonica e coro di Milano della Rai - Direttore Ruggero Maghini - Registrazione del 23.05.1960
* [[San Giovanni Battista (St. John the Baptist / 1960 Maghini / @1675 Stradella), radio production (oratorio)]] Il Santo: G.Las - Erodiade: R.Gary-Falachi - Erode: G. Tadeo - Il Consigliere/Uno dei Discepoli: G. Sinimberghi - La madre di Erodiade: J. Mancini. Orchestra Sinfonica e coro di Milano della Rai - Direttore Ruggero Maghini - Registrazione del 23.05.1960
* [[San Giovanni Battista (St. John the Baptist / 1979 Schneider / @1675 Stradella), sound recording (oratorio)]] Helmut Müller-Bruhl, Capella Clementina. Salomè: Barbara Schlick, soprano; Erodiade La Madre: Helen Keller, soprano; San Giovanni Battista: Andrew Dalton, countertenor; Consigliero: Jan Thompson, tenor; Erode: Ulrich Studer, bass.


* [[San Giovanni Battista (St. John the Baptist / 1986 Basbas / @1675 Stradella), New York production (oratorio)]]  
* [[San Giovanni Battista (St. John the Baptist / 1986 Basbas / @1675 Stradella), New York production (oratorio)]]  

Revision as of 20:43, 15 April 2017

San Giovanni Battista <Italian> / St John the Baptist (1675) is an oratorio by Alessandro Stradella (mus.) and Ansaldo Ansaldi (1651–1719) (libr.).

Abstract

The most celebrated of all oratorios of the composer. "A concertino of two violins and continuo with a concerto grosso of violin, two violas and continuo" used "with variety and skill: six of the 14 arias are accompanied by continuo only and seven by the orchestra".

John the Baptist goes to the court of Herod Antipas to try to convince him to send away the wife Herodias and to renounce worldly pleasures and his lascivious life. Naturally Herodias and her daughter Salome manage to convince Herod to send Giovanni to prison. Then the libretto follows the New Testament story of the death of John the Baptist. When Herod offers to give Salome whatever she asks, in gratitude for having danced so exotically for him at the festivities for his birthday, her mother suggests that she ask for Giovanni’s head, which she does. At the end of the libretto, Herod is in doubt as to whether he did the right thing, whereas Salome is overjoyed he killed Giovanni.

Characters

Editions, performances

Premiered in Rome, Italy: S. Giovanni dei Fiorentini, Quaresima 1675.

  • San Giovanni Battista (St. John the Baptist / 2004 Aymes / @1675 Stradella), Marseille production (oratorio) -- [[Performance : Marseille (France) : le Gyptis - 31-03-2004 -- Contributors : mise en scène Jean-Christophe Mast ; musique Alessandro Stradella ; lumière Pascale Bongiovanni ; coproduction Compagnie Deus ex machina et Théâtre de Tarascon ; avec Pascal Bertin, CT (Jean-Baptiste), Valérie Gabail, S (Salomé), Floriant Westphal, B (Hérode)... [et al.] -- Note : Notice réd. d'après le programme de la saison et une coupure d'article de presse. Représenté dans le cadre du festival Mars en Baroque -- Casting : Interprété aussi par Naïra Ghazaryan, S (Hérodiade), la Nouvelle Académie de concert, Jean-Marc Aymes, dir.

References

  • Smither, 1 (1977) 316-27.

External links