Difference between revisions of "San Giovanni Battista (St. John the Baptist / 1675 Stradella / Ansaldi), oratorio"
Line 28: | Line 28: | ||
* 2004 Orchestra Harmonices Mundi under Claudio Astronio Roberto Balconi (John) | * 2004 Orchestra Harmonices Mundi under Claudio Astronio Roberto Balconi (John) | ||
* [[San Giovanni Battista (St. John the Baptist / 1992 Minkowski / @1675 Stradella), sound recording (oratorio)]] | * [[San Giovanni Battista (St. John the Baptist / 1992 Minkowski / @1675 Stradella), sound recording (oratorio)]] | ||
* [[San Giovanni Battista (St. John the Baptist / 2008 De Marchi / @1675 Stradella), sound recording (oratorio)]] Alessandro De Marchi -- Academia Montis Regalis -- Martin Oro (John the Baptist) Anke Herrmann (Salome) -- Elena Cecchi Fedi (Herodias), Antonio Abete (Herod Antipas) | * [[San Giovanni Battista (St. John the Baptist / 2008 De Marchi / @1675 Stradella), sound recording (oratorio)]] Alessandro De Marchi -- Academia Montis Regalis -- Martin Oro (John the Baptist) Anke Herrmann (Salome) -- Elena Cecchi Fedi (Herodias), Antonio Abete (Herod Antipas) |
Revision as of 19:17, 15 April 2017
San Giovanni Battista <Italian> / St John the Baptist (1675) is an oratorio by Alessandro Stradella (mus.) and Ansaldo Ansaldi (1651–1719) (libr.).
Abstract
The most celebrated of all oratorios of the composer. "A concertino of two violins and continuo with a concerto grosso of violin, two violas and continuo" used "with variety and skill: six of the 14 arias are accompanied by continuo only and seven by the orchestra".
John the Baptist goes to the court of Herod Antipas to try to convince him to send away the wife Herodias and to renounce worldly pleasures and his lascivious life. Naturally Herodias and her daughter Salome manage to convince Herod to send Giovanni to prison. Then the libretto follows the New Testament story of the death of John the Baptist. When Herod offers to give Salome whatever she asks, in gratitude for having danced so exotically for him at the festivities for his birthday, her mother suggests that she ask for Giovanni’s head, which she does. At the end of the libretto, Herod is in doubt as to whether he did the right thing, whereas Salome is overjoyed he killed Giovanni.
Characters
- John the Baptist = contralto
- Herod Antipas = bass
- Herodias = (mezzo-)soprano
- The Daughter of Herodias (Salome) = soprano
- A chorus.
Editions, performances
Premiered in Rome, Italy: S. Giovanni dei Fiorentini, Quaresima 1675.
- San Giovanni Battista (St. John the Baptist / 1960 Maghini / @1675 Stradella), radio production (oratorio) Il Santo: G.Las - Erodiade: R.Gary-Falachi - Erode: G. Tadeo - Il Consigliere/Uno dei Discepoli: G. Sinimberghi - La madre di Erodiade: J. Mancini. Orchestra Sinfonica e coro di Milano della Rai - Direttore Ruggero Maghini - Registrazione del 23.05.1960
- San Giovanni Battista (St. John the Baptist / 19?? Cillario / @1675 Stradella), sound recording (oratorio) Carlo Felice Cillario, conductor -- Les Musiciens du Louvre -- Adriana Lazzerini (John the Baptist) Elena Barcis (Salome) -- Zimra Ornatt (Herodias), Giorgio Tadeo (Herod Antipas) -- Angelicum Orchestra Milan -- Coro Polifonico Turin
- 2004 Orchestra Harmonices Mundi under Claudio Astronio Roberto Balconi (John)
- San Giovanni Battista (St. John the Baptist / 2008 De Marchi / @1675 Stradella), sound recording (oratorio) Alessandro De Marchi -- Academia Montis Regalis -- Martin Oro (John the Baptist) Anke Herrmann (Salome) -- Elena Cecchi Fedi (Herodias), Antonio Abete (Herod Antipas)
References
- Smither, 1 (1977) 316-27.
External links
- 1675
- Fiction--1600s
- Fiction--Italian
- Music--1600s
- Oratorios
- Italian language--1600s
- Made in the 1670s
- Second Temple Studies--1600s
- Second Temple Studies--Italian
- Second Temple Studies--Fiction
- Christian Origins Studies--1600s
- Christian Origins Studies--Italian
- Christian Origins Studies--Fiction
- Preaching of John the Baptist (subject)
- Death of John the Baptist (subject)
- John the Baptist (subject)
- John the Baptist--music (subject)
- Salome--music (subject)
- Herodias--music (subject)
- Herod Antipas--music (subject)