Difference between revisions of "File:1725 Handel (opera).jpg"
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* Feb 13, 1725 - King’s Theatre, London | * Feb 13, 1725 - King’s Theatre, London | ||
* Jun 26, 1920 (rev. Oskar Hagen) - Göttingen | < Massive commercial success; written at the absolute peak of Handel's career.> | ||
** 1931 - United States | |||
* Jun 26, 1920 (rev. Oskar Hagen) - Stadttheater Göttingen, Germany | |||
** 1931 - Smith College, Massachusetts, United States | |||
** 1939 - London, England | ** 1939 - London, England | ||
* Jun 24, 1959 (rev. Charles Farncombe), London | < Oskar Hagen version. / Heavy transposition (Castrato roles shifted down to natural Baritones/Basses) / Birth of the Handel Renaissance. Sung in German; heavily cut score; Expressionist sets. / The American premiered / The American premiere (directed by Werner Josten) exported the German Handel revival across the Atlantic. | ||
* Jun 24, 1959 (rev. Charles Farncombe), Sadler's Wells, London | |||
< Charles Farncombe version / Mezzo-soprano pants roles (Margreta Elkins) / The "Sutherland Cyclone". Re-introduced original high pitches, basso continuo (Thurston Dart), and virtuosic bel canto style. | |||
* 1998 (rev. William Christie) - Glyndebourne Festival | |||
< William Christie & J.M. Villégier / Countertenors (Andreas Scholl) / First Handel opera staged at Glyndebourne. Period instruments, original Italian, and a "silent movie" 1930s monochrome setting.> | |||
* 2004 - Metropolitan Opera, New York | * 2004 - Metropolitan Opera, New York | ||
** 2011 - Metropolitan Opera, New York Renee Fleming, Andreas Scholl (YouTube video) | |||
< Patrick Summers & S. Wadsworth / Countertenors (Andreas Scholl & David Daniels) / Renée Fleming in the title role. Proved that period-informed Handel could permanently fill a 4,000-seat romantic opera house. | |||
* 2014 - English National Opera in 2014. | * 2014 - English National Opera in 2014. | ||
** 2015 - Bolshoi Theatre | ** 2015 - Bolshoi Theatre | ||
Latest revision as of 08:31, 1 September 2026
Rodelinda (Handel, 1725)
- Feb 13, 1725 - King’s Theatre, London
< Massive commercial success; written at the absolute peak of Handel's career.>
- Jun 26, 1920 (rev. Oskar Hagen) - Stadttheater Göttingen, Germany
- 1931 - Smith College, Massachusetts, United States
- 1939 - London, England
< Oskar Hagen version. / Heavy transposition (Castrato roles shifted down to natural Baritones/Basses) / Birth of the Handel Renaissance. Sung in German; heavily cut score; Expressionist sets. / The American premiered / The American premiere (directed by Werner Josten) exported the German Handel revival across the Atlantic.
- Jun 24, 1959 (rev. Charles Farncombe), Sadler's Wells, London
< Charles Farncombe version / Mezzo-soprano pants roles (Margreta Elkins) / The "Sutherland Cyclone". Re-introduced original high pitches, basso continuo (Thurston Dart), and virtuosic bel canto style.
- 1998 (rev. William Christie) - Glyndebourne Festival
< William Christie & J.M. Villégier / Countertenors (Andreas Scholl) / First Handel opera staged at Glyndebourne. Period instruments, original Italian, and a "silent movie" 1930s monochrome setting.>
- 2004 - Metropolitan Opera, New York
- 2011 - Metropolitan Opera, New York Renee Fleming, Andreas Scholl (YouTube video)
< Patrick Summers & S. Wadsworth / Countertenors (Andreas Scholl & David Daniels) / Renée Fleming in the title role. Proved that period-informed Handel could permanently fill a 4,000-seat romantic opera house.
- 2014 - English National Opera in 2014.
- 2015 - Bolshoi Theatre
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| current | 07:50, 1 September 2026 | 1,024 × 1,284 (519 KB) | Gabriele Boccaccini (talk | contribs) |
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