Difference between revisions of "Michal Glowinski"
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"A mosaic of memories from a childhood in the Warsaw Ghetto and a life in hiding on the other side of the wall ... When six-year-old Michal Glowinski first heard the adults around him speak of the ghetto, he understood only that the word was connected with moving-and conjured up a fantastical image of a many-storied carriage pulled through the streets by some umpteen horses. He was soon to learn that the ghetto was something else entirely. A half-century later, Glowinski, now an eminent Polish literary scholar, leads us haltingly into Nazi-occupied Poland. Scrupulously attentive to the distance between a child's experience and an adult's reflection, Glowinski revisits the images and episodes of his childhood: the emaciated violinist playing a Mendelssohn concerto on the ghetto streets; his game of chess with a Polish blackmailer threatening to deliver him to the Gestapo; and his eventual rescue by Catholic nuns in an impoverished, distant convent. In language at once spare and eloquent, Glowinski explores the horror of those years, the fragility of existence, and the fragmented nature of memory itself."--Publisher description. | "A mosaic of memories from a childhood in the Warsaw Ghetto and a life in hiding on the other side of the wall ... When six-year-old Michal Glowinski first heard the adults around him speak of the ghetto, he understood only that the word was connected with moving-and conjured up a fantastical image of a many-storied carriage pulled through the streets by some umpteen horses. He was soon to learn that the ghetto was something else entirely. A half-century later, Glowinski, now an eminent Polish literary scholar, leads us haltingly into Nazi-occupied Poland. Scrupulously attentive to the distance between a child's experience and an adult's reflection, Glowinski revisits the images and episodes of his childhood: the emaciated violinist playing a Mendelssohn concerto on the ghetto streets; his game of chess with a Polish blackmailer threatening to deliver him to the Gestapo; and his eventual rescue by Catholic nuns in an impoverished, distant convent. In language at once spare and eloquent, Glowinski explores the horror of those years, the fragility of existence, and the fragmented nature of memory itself."--Publisher description. | ||
[[Category:Holocaust Children, 1934 (subject)|1934 Glowinski]] | |||
[[Category:Holocaust Children's Memoirs (subject)|1934 Glowinski]] | |||
[[Category:Warsaw Ghetto (subject)|1934 Glowinski]][[Category:Hidden Children (subject)|1934 Glowinski]] | |||
Revision as of 19:40, 14 September 2020
Michal Glowinski (M / Poland, 1934)
- <Memoirs> The Black Seasons (1998)
Biography
NOTES : Born in 1934, Michal Glowinski is among the most renowned literary scholars in Poland and the author of numerous works of literary criticism, history, and theory. He is a long-time professor at the Institute of Literary Studies of the Polish Academy of Sciences in Warsaw.
Book : The Black Seasons (1998)
- Czarne sezony (1998). English ed. The Black Seasons (Evanston, Il: Northwestern University Press, 2005).
"A mosaic of memories from a childhood in the Warsaw Ghetto and a life in hiding on the other side of the wall ... When six-year-old Michal Glowinski first heard the adults around him speak of the ghetto, he understood only that the word was connected with moving-and conjured up a fantastical image of a many-storied carriage pulled through the streets by some umpteen horses. He was soon to learn that the ghetto was something else entirely. A half-century later, Glowinski, now an eminent Polish literary scholar, leads us haltingly into Nazi-occupied Poland. Scrupulously attentive to the distance between a child's experience and an adult's reflection, Glowinski revisits the images and episodes of his childhood: the emaciated violinist playing a Mendelssohn concerto on the ghetto streets; his game of chess with a Polish blackmailer threatening to deliver him to the Gestapo; and his eventual rescue by Catholic nuns in an impoverished, distant convent. In language at once spare and eloquent, Glowinski explores the horror of those years, the fragility of existence, and the fragmented nature of memory itself."--Publisher description.