Difference between revisions of "The Menorah, the Ancient Seven-armed Candelabrum (2001 Hachlili), book"

From 4 Enoch: : The Online Encyclopedia of Second Temple Judaism, and Christian and Islamic Origins
Jump to navigation Jump to search
 
Line 1: Line 1:
<bibexternal title="Menorah" author="Hachlili"/>
'''The Menorah, the Ancient Seven-armed Candelabrum: Origin, Form and Significance''' (2001) is a book by [[Rachel Hachlili]].  
'''The Menorah, the Ancient Seven-armed Candelabrum: Origin, Form and Significance''' (2001) is a book by [[Rachel Hachlili]].  


Line 5: Line 7:
The menorah was the most important and dominant symbol in Jewish art, both in the Land of Israel and the Diaspora. The menorah was an integral part of the Temple ritual and was the most important of the Temple vessels. Its later representation served the purpose of reminding the Jews of their previous glory as well as their pride in the Temple, and expressed the longing and hope for the renewal of the Temple services and worship. Following the destruction of the Temple, the menorah took on the profound significance of the Temple. It also came to symbolize Judaism, when it was necessary to distinguish synagogues, Jewish tombs, and catacombs from Christian or pagan structures in the Land of Israel and the Diaspora. The menorah image has been found depicted in synagogues, public buildings, homes, and the funerary context throughout the Land of Israel and the Diaspora, leaving no doubt as to which are Jewish structures. The prominent position of the menorah in Jewish art emphasizes its significance. The book is presenting the art, archaeological, historical and literary evidence for the development, form, meaning, and significance of the menorah during the Second Temple period and the Late Antiquity. -- Publisher description.
The menorah was the most important and dominant symbol in Jewish art, both in the Land of Israel and the Diaspora. The menorah was an integral part of the Temple ritual and was the most important of the Temple vessels. Its later representation served the purpose of reminding the Jews of their previous glory as well as their pride in the Temple, and expressed the longing and hope for the renewal of the Temple services and worship. Following the destruction of the Temple, the menorah took on the profound significance of the Temple. It also came to symbolize Judaism, when it was necessary to distinguish synagogues, Jewish tombs, and catacombs from Christian or pagan structures in the Land of Israel and the Diaspora. The menorah image has been found depicted in synagogues, public buildings, homes, and the funerary context throughout the Land of Israel and the Diaspora, leaving no doubt as to which are Jewish structures. The prominent position of the menorah in Jewish art emphasizes its significance. The book is presenting the art, archaeological, historical and literary evidence for the development, form, meaning, and significance of the menorah during the Second Temple period and the Late Antiquity. -- Publisher description.


==Editions and translations==
==Editions ==


Published in Leiden: Brill, 2001 ([[Supplements to the Journal for the Study of Judaism]], 68).
Published in Leiden: Brill, 2001 ([[Supplements to the Journal for the Study of Judaism]], 68).
Line 17: Line 19:


[[Category:2001| Hachlili]]
[[Category:2001| Hachlili]]
[[Category:Scholarship|2001 Hachlili]]
[[Category:Books|2001 Hachlili]]


[[Category: Scholarship|2001 Hachlili]]
[[Category:Women Authorship--2000s|2001 Hachlili]]
[[Category:Women Authorship--English|2001 Hachlili]]
 
[[Category:English language--2000s|2001 Hachlili]]


[[Category:English language|2001 Hachlili]]
[[Category:Second Temple Studies--2000s|2001 Hachlili]]
[[Category:Made in the 2000s| 2001 Hachlili]]
[[Category:Second Temple Studies--English|2001 Hachlili]]


[[Category:Menorah (subject)|2001 Hachlili]]
[[Category:Menorah (subject)|2001 Hachlili]]
[[Category:Archaeology (subject)|2001 Hachlili]]
[[Category:Archaeology (subject)|2001 Hachlili]]
<nowiki>Insert non-formatted text here</nowiki>

Latest revision as of 08:42, 30 October 2015

<bibexternal title="Menorah" author="Hachlili"/>

The Menorah, the Ancient Seven-armed Candelabrum: Origin, Form and Significance (2001) is a book by Rachel Hachlili.

Abstract

The menorah was the most important and dominant symbol in Jewish art, both in the Land of Israel and the Diaspora. The menorah was an integral part of the Temple ritual and was the most important of the Temple vessels. Its later representation served the purpose of reminding the Jews of their previous glory as well as their pride in the Temple, and expressed the longing and hope for the renewal of the Temple services and worship. Following the destruction of the Temple, the menorah took on the profound significance of the Temple. It also came to symbolize Judaism, when it was necessary to distinguish synagogues, Jewish tombs, and catacombs from Christian or pagan structures in the Land of Israel and the Diaspora. The menorah image has been found depicted in synagogues, public buildings, homes, and the funerary context throughout the Land of Israel and the Diaspora, leaving no doubt as to which are Jewish structures. The prominent position of the menorah in Jewish art emphasizes its significance. The book is presenting the art, archaeological, historical and literary evidence for the development, form, meaning, and significance of the menorah during the Second Temple period and the Late Antiquity. -- Publisher description.

Editions

Published in Leiden: Brill, 2001 (Supplements to the Journal for the Study of Judaism, 68).

Contents

External links

  • [ Google Books]