Difference between revisions of "Salome (1958 Mitropoulos, Borkh / @1905 Strauss), New York (Met) production, sound recording (opera)"

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Recording of a performance at the MET (8 February 1958).
Recording of a performance at the MET (8 February 1958).


"Fans of the fiery-voiced soprano [[Inge Borkh]] will want to explore her three live recordings from the '50s. Of these, a 1958 Met performance under [[Dimitri Mitropoulos]] makes the most vivid impression."--[https://www.gramophone.co.uk/features/focus/richard-strausss-salome-which-recording-is-best Gramophone].
"Fans of the fiery-voiced soprano [[Inge Borkh]] will want to explore her three live recordings from the '50s. Of these, a 1958 Met performance under [[Dimitri Mitropoulos]] makes the most vivid impression. There's also Borkh's famous recording of the final scene with Fritz Reiner's Chicago Symphony – a Living Stereo masterpiece with a magnificently disturbing bass organ note for Salome's ‘secret music’. "--[https://www.gramophone.co.uk/features/focus/richard-strausss-salome-which-recording-is-best Gramophone].


==Cast==
==Cast==

Revision as of 07:02, 25 March 2017

Sound 1958 Mitropoulos.jpg

Salome (1958) is a sound recording of Salome (1905 Strauss / Lachmann), opera, conducted by Dimitri Mitropoulos.

Abstract

Recording of a performance at the MET (8 February 1958).

"Fans of the fiery-voiced soprano Inge Borkh will want to explore her three live recordings from the '50s. Of these, a 1958 Met performance under Dimitri Mitropoulos makes the most vivid impression. There's also Borkh's famous recording of the final scene with Fritz Reiner's Chicago Symphony – a Living Stereo masterpiece with a magnificently disturbing bass organ note for Salome's ‘secret music’. "--Gramophone.

Cast

Editions

Released on Vinyl and CD.

External links

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