Difference between revisions of "La Mariane (1724 Albinoni/Porta), opera"
| Line 30: | Line 30: | ||
[[Category:Second Temple Studies|1724 Albinoni]] | [[Category:Second Temple Studies|1724 Albinoni]] | ||
[[Category:Second Temple Studies--Fiction|1724 Albinoni]] | [[Category:Second Temple Studies--Fiction|1724 Albinoni]] | ||
[[Category:Second Temple Studies--Italian Fiction|1724 Albinoni]] | |||
[[Category:Second Temple Studies--Italian language|1724 Albinoni]] | [[Category:Second Temple Studies--Italian language|1724 Albinoni]] | ||
Revision as of 12:49, 25 January 2014
La Mariane <Italian> (1722) is an opera by Tomaso Albinoni and Giovanni Porta (mus.), and Domenico Lalli (libr.). A revised version of Gli eccessi della gelosia (1722 Albinoni), opera.
Abstract
"Dramma per musica." Story of Herod and Mariamne, based on the play of Calderón de la Barca (1635).
Editions, performances, translations
Published in Venice, Italy: Rossetti, 1724.
Premiered in Venice, Italy: Teatro S. Angelo Venice, 1724: "L'invenzione delle scene è del Sig. Bernardo Canale... La musica delle arie è del Signor Giovanni Porta, à riserva di quelle signate constelletta, che sono del primo lor compositore... Interlocutori: AGRIPPA. Il Sig. Giovanni Paita / MARIANE. La Sig. Rosaura Mazzanti fiorentina / ARMINDA. La Sig. Giacinta Spinola fiorentina virtuosa del sereniss. principa Antonio di Parma / OTTAVIANO. Il Sig. Gio: Carestini virtuoso di S. M. C. / TOLOMEO. Il Sig. Giovanne Raina milanese / DECIO. La Sig. Elisabetta Moro venetiana."
External links
- 1724
- Fiction
- Music
- Operas
- Italian Fiction
- Italian Music
- Italian language
- Made in the 1720s
- Venice, Italy
- Teatro S. Angelo Venice
- Second Temple Studies
- Second Temple Studies--Fiction
- Second Temple Studies--Italian Fiction
- Second Temple Studies--Italian language
- Herod & Mariamne (event)
- Herod the Great (subject)
- Herod the Great--fiction (subject)
- Herod the Great--music (subject)
- Mariamne (subject)
- Mariamne--fiction (subject)
- Mariamne--music (subject)