Difference between revisions of "La Maddalena (Magdalene / 1617 Andreini), play"
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The “sacra rappresentazione” included incidental music and arias composed for the occasion by a group of Italian musicians, namely, [[Claudio Monteverdi]] (1567-1643), [[Salomone Rossi]] (1570-c.1630), [[Muzio Effrem]] (1549-c.1640), and [[Alberto Ghivizzani]] (c.1572-c.1632). | The “sacra rappresentazione” included incidental music and arias composed for the occasion by a group of Italian musicians, namely, [[Claudio Monteverdi]] (1567-1643), [[Salomone Rossi]] (1570-c.1630), [[Muzio Effrem]] (1549-c.1640), and [[Alberto Ghivizzani]] (c.1572-c.1632). | ||
[[Category:Fiction]] [[Category:Plays | [[Category:Fiction]] [[Category:Plays]] | ||
[[Category:Italian language]] | [[Category:Italian language]] | ||
[[Category:Made in the 1610s]] | [[Category:Made in the 1610s]] | ||
[[Category:Mary Magdalene (subject)]] | [[Category:Mary Magdalene (subject)]] | ||
Revision as of 21:12, 25 August 2009
La Maddalena (aka La Maddalena lasciva e penitente) is a play by Giovan Battista Andreini.
Editions and translations
Written for the festivities celebrating the wedding of Duke Ferdinando di Gonzaga and Caterina de’ Medici, was performed in Italy (Mantua, Palazzo Ducale, March 1617).
Abstract
The “sacra rappresentazione” included incidental music and arias composed for the occasion by a group of Italian musicians, namely, Claudio Monteverdi (1567-1643), Salomone Rossi (1570-c.1630), Muzio Effrem (1549-c.1640), and Alberto Ghivizzani (c.1572-c.1632).