Difference between revisions of "Category:Judith--art (subject)"

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File:Judith Donatello.jpg|[[Judith and Holofernes (1460 Donatello), art]]
File:Judith Donatello.jpg|[[Judith and Holofernes (1460 Donatello), art]]
File:Judith Botticelli.jpg|[[Judith and Holophernes (1472 Botticelli), art]]
File:Judith Botticelli1.jpg|[[Judith and Holophernes (1472 Botticelli), art]]
Judith and Holophernes (1495 Mantegna), art]]
File:Judith Botticelli2.jpg|[[Judith and Holophernes (1472 Botticelli), art]]
Judith (1504 Giorgione), art]]
File:Judith Mantegna.jpg|[[Judith and Holophernes (1495 Mantegna), art]]
File:Judith Giorgione.jpg|[[Judith (1504 Giorgione), art]]
Judith and Holofernes (1509 Michelangelo), art]]
Judith and Holofernes (1509 Michelangelo), art]]
Judith (1510 Beccafumi), art]]
Judith (1510 Beccafumi), art]]

Revision as of 12:40, 17 February 2021

Works of art related to Judith

Overview

Early Renaissance images of Judith tend to depict her as fully dressed and desexualized, but gradually, in later Renaissance artists the desexualized image of Virtue leave room to a more sexual and aggressive woman, a "seducer-assassin". This transition is already apparent in the paintings of Giorgione and Lucas Cranach the Elder.

In the Baroque period, images of Judith began to take on a more violent character, in the works of Caravaggio, Artemisia Gentileschi, and others, who chose to show the actual moment of the killing.

Modern paintings of the scene insist on the erotic aspects of the narrative, depicting Judith as an "oriental" beauty, often expressed in the nude (Gustav Klimt, Franz von Stuck). The image of Judith merged with that of Salome, whose enormous success soon overshadowed every rival character.


Additional works

Pages in category "Judith--art (subject)"

The following 60 pages are in this category, out of 60 total.

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