Difference between revisions of "Ester d'Engaddi (1821 Pellico), play"
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==Abstract== | ==Abstract== | ||
A tragedy in five acts by the Italian patriot and writer. The setting is a remote area of Israel where a group of Jewish refugees lives around 50 years after the destruction of the Temple. | |||
A tragedy in five acts by the Italian patriot and writer. The setting is a remote area of Israel where a group of Jewish refugees lives, around 50 years after the destruction of the Temple. | |||
Pellico reverses his present-day's situation; the Christians are the oppressed minority, while the Jews are the majority, ruled by a corrupted High Priest. | |||
The heroine Ester is a Jewess. She is the faithful wife of Azaria, the champion of the Jews in their resistance against the Romans, while her father Eleazaro has been banned as he converted to Christianity. | |||
The tragedy focuses on the plot of the High Priest who slanders and eventually poisons Ester for having rejected his love, while the faithful Ester steadily maintains her loyalty to both her father and husband. | |||
Ester reproaches his father for despising the Jews: | |||
"Agl’idoli empi / non immolar, dritto e’ ma qui mentito / Dio non s’ adora: e (qual pur fosse il Giusto, / che in Golgota moria) de’ giusti il rege / altro esser può che di Giacobbe il Dio?" | |||
With similar world she reproaches the Jews for despising her father: | |||
"Rispettate i suoi giorni; altra è sua legge, / altre le preci ma sol uno è il Dio!" | |||
Ester dies but not before the entire people reconcile with Eleazaro and call him: "Fratello nostro (our brother)." | |||
Nobody converts. Through the sacrifice of Ester, Christians and Jews learn how to live together as siblings. | |||
* Gabriele Boccaccini, University of Michigan | |||
==Editions, performances== | ==Editions, performances== | ||
Premiered in Turin | Premiered in [[Turin, Italy]]: 1838. | ||
====Translations==== | ====Translations==== | ||
| Line 14: | Line 35: | ||
====Adaptations==== | ====Adaptations==== | ||
*[[Ester d'Engaddi (1837 Gioja / Gabrielli), | *[[Ester d'Engaddi (1837 Gioja / Gabrielli), dance]] | ||
*[[Ester d'Engaddi (1843 Malipiero), opera]] | *[[Ester d'Engaddi (1843 Malipiero), opera]] | ||
*[[Ester d'Engaddi (1843 Peri), opera]] | *[[Ester d'Engaddi (1843 Peri / Cammarano), opera]] | ||
*[[Ester d'Engaddi (1846 Graffigna), opera]] | *[[Ester d'Engaddi (1846 Graffigna / Cammarano), opera]] | ||
*[[Ester d'Engaddi (1848 Pacini), opera]] | *[[Ester d'Engaddi (1848 Pacini / Guidi), opera]] | ||
==External links== | ==External links== | ||
*[http://it.wikisource.org/wiki/Indice:Ester_D%27Engaddi.djvu Wikisource (full text)] | |||
[[Category:1821| Pellico]] | [[Category:1821| Pellico]] | ||
[[Category:Fiction|1821 Pellico]] | |||
[[Category: | [[Category:Fiction--1800s|1821 Pellico]] | ||
[[Category:Fiction--Italian|1821 Pellico]] | |||
[[Category:Literature--1800s|1821 Pellico]] | |||
[[Category:Plays|1821 Pellico]] | [[Category:Plays|1821 Pellico]] | ||
[[Category:Italian Fiction|1821 Pellico]] | [[Category:Italian language--1800s|1821 Pellico]] | ||
[[Category:Italian | [[Category:Made in the 1820s| 1821 Pellico]] | ||
[[Category:Second Temple Studies--1800s|1821 Pellico]] | |||
[[Category:Second Temple Studies--Fiction|1821 Pellico]] | |||
[[Category:Second Temple Studies--Italian|1821 Pellico]] | |||
[[Category:Christian Origins Studies--1800s|1821 Pellico]] | |||
[[Category:Christian Origins Studies--Fiction|1821 Pellico]] | |||
[[Category:Christian Origins Studies--Italian|1821 Pellico]] | |||
[[Category:Esther of Engaddi (subject)|1821 Pellico]] | [[Category:Esther of Engaddi (subject)|1821 Pellico]] | ||
[[Category:Esther of Engaddi--fiction (subject)|1821 Pellico]] | |||
[[Category:Esther of Engaddi--theatre (subject)|1821 Pellico]] | |||
[[Category:Rabbinic origins (subject)|1821 Pellico]] | [[Category:Rabbinic origins (subject)|1821 Pellico]] | ||
Latest revision as of 08:02, 4 September 2018
Ester d'Engaddi <Italian> / Esther of Engaddi (1821) is a play by Silvio Pellico.
Abstract
A tragedy in five acts by the Italian patriot and writer. The setting is a remote area of Israel where a group of Jewish refugees lives, around 50 years after the destruction of the Temple.
Pellico reverses his present-day's situation; the Christians are the oppressed minority, while the Jews are the majority, ruled by a corrupted High Priest.
The heroine Ester is a Jewess. She is the faithful wife of Azaria, the champion of the Jews in their resistance against the Romans, while her father Eleazaro has been banned as he converted to Christianity.
The tragedy focuses on the plot of the High Priest who slanders and eventually poisons Ester for having rejected his love, while the faithful Ester steadily maintains her loyalty to both her father and husband.
Ester reproaches his father for despising the Jews:
"Agl’idoli empi / non immolar, dritto e’ ma qui mentito / Dio non s’ adora: e (qual pur fosse il Giusto, / che in Golgota moria) de’ giusti il rege / altro esser può che di Giacobbe il Dio?"
With similar world she reproaches the Jews for despising her father:
"Rispettate i suoi giorni; altra è sua legge, / altre le preci ma sol uno è il Dio!"
Ester dies but not before the entire people reconcile with Eleazaro and call him: "Fratello nostro (our brother)."
Nobody converts. Through the sacrifice of Ester, Christians and Jews learn how to live together as siblings.
- Gabriele Boccaccini, University of Michigan
Editions, performances
Premiered in Turin, Italy: 1838.
Translations
Adaptations
External links
- 1821
- Fiction--1800s
- Fiction--Italian
- Literature--1800s
- Plays
- Italian language--1800s
- Made in the 1820s
- Second Temple Studies--1800s
- Second Temple Studies--Fiction
- Second Temple Studies--Italian
- Christian Origins Studies--1800s
- Christian Origins Studies--Fiction
- Christian Origins Studies--Italian
- Esther of Engaddi (subject)
- Esther of Engaddi--fiction (subject)
- Esther of Engaddi--theatre (subject)
- Rabbinic origins (subject)