Difference between revisions of "Category:Berenice--music (subject)"
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==Overview== | ==Overview== | ||
As a love story, the affair between the Emperor [[Titus]] and [[Berenice]] for almost two centuries (mid-17th to mid-19th cent.) was a favorite operatic subject and attracted the attention of major composers. No work however reached that level of celebrity to enter the contemporary repertoire. | As a love story, the affair between the Emperor [[Titus]] and [[Berenice]] for almost two centuries (mid-17th to mid-19th cent.) was a favorite operatic subject and attracted the attention of major composers. No work however reached that level of celebrity as to enter the contemporary repertoire. | ||
Berenice always appears in company of Titus, not as an independent character. Her political role is downplayed. | Berenice always appears in company of Titus, not as an independent character. Her political role is downplayed, to focus on her only as an unhappy lover. | ||
Berenice is alluded to, but is not present in the most popular libretto, ''La clemenza di Titus'' by Pietro Metastasio, | Berenice is alluded to, but is not present in the most popular libretto, ''La clemenza di Titus'' (1734) by [[Pietro Metastasio]], which focuses on the life of [[Titus]] after the end of his love affair with the Jewish Queen. | ||
==Performing Berenice (singers)== | ==Performing Berenice (singers)== |
Revision as of 09:58, 27 May 2017
Works of music related to Berenice
Overview
As a love story, the affair between the Emperor Titus and Berenice for almost two centuries (mid-17th to mid-19th cent.) was a favorite operatic subject and attracted the attention of major composers. No work however reached that level of celebrity as to enter the contemporary repertoire.
Berenice always appears in company of Titus, not as an independent character. Her political role is downplayed, to focus on her only as an unhappy lover.
Berenice is alluded to, but is not present in the most popular libretto, La clemenza di Titus (1734) by Pietro Metastasio, which focuses on the life of Titus after the end of his love affair with the Jewish Queen.
Performing Berenice (singers)
In some of the earliest operas, Berenice was played to a castrato, but already in the 18th century most of the interpreters were sopranos.
Performing Berenice (dancers)
Pages in category "Berenice--music (subject)"
The following 21 pages are in this category, out of 21 total.
1
- Il Tito (Titus / 1666 Cesti / Beregani), opera (music & libretto), Venice premiere
- Il Tito (1668 Binitti), opera
- Tito e Berenice (Titus and Berenice / 1714 Caldara / Capece), opera (music & libretto), Rome premiere (cast)
- Berenice (1725 Orlandini / Pasqualigo), opera (music & libretto), Venice premiere (cast)
- Il Titto / Titus l'empereur (Titus / 1731 Haendel), opera (music)
- Berenice (1764 Piccinni / @1725 Pasqualigo), opera (music), Naples premiere
- Berenice (1770 Platania / Durandi), opera (music & libretto), Turin premiere (cast)
- Tito e Berenice (Titus & Berenice / 1776 Mei / Lanfranchi-Rossi), opera (music & libretto), Pisa premiere
- Tito e Berenice (1782 Franchi), ballet
- Berenice (1786 Rust / @1770 Durandi), opera (music), Parma premiere
- Tito; o, La partenza di Berenice (1790 Angiolini), ballet
- Tito e Berenice (Titus and Berenice / 1793 Nasolini / Foppa), opera (music & libretto), Venice premiere (cast)
- Berenice in Roma (Berenice in Rome / 1824 Raimondi / Bordese), opera (music & libretto), Naples premiere (cast)
- La distruzione di Gerusalemme (The Destruction of Jerusalem / 1858 Pacini / Fioretti), oratorio (music & libretto), Florence premiere (cast)
- Titus et Bérénice (Titus and Berenice / 1860 Gastinel / Fournier), opera (music & libretto), Paris premiere
- Bérénice (1909 Magnard / Magnard), opera (music & libretto)
- Bérénice (1911 Ruhlmann / @1909 Magnard), opera, Paris premiere (cast)
- Bérénice (1992 Soustrout / @1909 Magnard), opera, Montpellier production, sound recording (cast)