Difference between revisions of "Salome's Dance (1908 Overton Walker), solo dance"

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[[File:Salome2 Aida Overton-Walker.jpg|thumb|250px|[[Aida Overton-Walker]] as [[Salome]]]]
[[File:Salome2 Aida Overton-Walker.jpg|thumb|250px|[[Aida Overton-Walker]] as [[Salome]]]]
[[File:Salome Aida Overton-Walker.jpg|thumb|190px|[[Aida Overton-Walker]] as [[Salome]]]]
[[File:Salome Aida Overton-Walker.jpg|thumb|194px|[[Aida Overton-Walker]] as [[Salome]]]]


'''The Vision of Salome ''' (1912) is a vaudeville ballet by [[Aida Overton-Walker]] (chor.).   
'''The Vision of Salome ''' (1912) is a vaudeville ballet by [[Aida Overton-Walker]] (chor.).   

Revision as of 07:52, 27 March 2017

The Vision of Salome (1912) is a vaudeville ballet by Aida Overton-Walker (chor.).

Abstract

In 1908 Aida Overton-Walker contributed to the "Salomania" of those years with her a solo performance of the “Salome” dance, which she originally performed in the show Bandana Land. As an African-American dancer she was well aware of how the roles she played affected race relations of the time. Her portrayal of the Salome character was very different from that of the other dancers and actresses of her time. She worked hard to break the stereotypes of black women as immoral and oversexed. She downplayed the erotic aspects of the Salome dance. Instead, Walker chose to emphasize the dramatic elements of the performance, coordinating her movements and expressions in order to convey the internal thoughts and emotions of the Salome character. The result was a technically innovative dance that “transformed the role of a highly sexualized dancer . . . into a dramatic achievement”. Aida's performance was so successful that by public demand she was asked to perform it over and over again, as late as in 1912 at Hammerstein's Victoria Theatre.

Original cast

Editions, performances

Premiered in New York, NY: 1908.

External links