Difference between revisions of "The Last Days of Pompeii (1834 Lytton), novel"

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*[[Los últimos días de Pompeyo (1940 Portas), film]]
*[[Los últimos días de Pompeyo (1940 Portas), film]]


*[[Les derniers jours de Pompei (1948 L'Herbier), film]]
*[[Les derniers jours de Pompei / Gli ultimi giorni di Pompei (The Last Days of Pompeii / 1950 L'Herbier, Moffa), feature film]]


*[[Gli ultimi giorni di Pompei (1959 Bonnard/Leone), film]]
*[[Gli ultimi giorni di Pompei (1959 Bonnard/Leone), film]]

Revision as of 12:20, 10 November 2015

<bibexternal title="The Last Days of Pompeii" author="Bulwer Lytton"/>

The Last Days of Pompeii (1834) is a novel by Edward Bulwer Lytton.

Abstract

Hugely popular novel used its characters to contrast, not uncritically, the decadent culture of first-century Rome with both older cultures (Greece and Egypt) and coming trends (Christianity). The novel was inspired by the success of the opera, L’ultimo giorno di Pompei (1825) by Italian composer Giovanni Pacini, and of the painting The Last Day of Pompeii (1833) by Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. Although these works had made no reference to Christianity, they suggested that the eruption of Mount Vesuvius in 79 CE could also provide a climactic and providential setting to a “Christian” story.

Editions

Published in London, England: Richard Bentley, (1834).

Translations

Translated in all major European languages.

Adaptations

See also:

External links