Difference between revisions of "The Last Days of Pompeii (1834 Lytton), novel"
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==Abstract== | ==Abstract== | ||
Hugely popular novel used its characters to contrast, not uncritically, the decadent culture of first-century Rome with both older cultures (Greece and Egypt) and coming trends (Christianity). The success of the | Hugely popular novel used its characters to contrast, not uncritically, the decadent culture of first-century Rome with both older cultures (Greece and Egypt) and coming trends (Christianity). The novel was inspired by the success of the opera, ''L’ultimo giorno di Pompei'' (1825) by Italian composer [[Giovanni Pacini]], and of the painting ''The Last Day of Pompeii'' (1833) by Russian painter [[Karl Briullov]], which Bulwer-Lytton had seen in Milan. Although these works had made no reference to Christianity, they suggested that the eruption of Mount Vesuvius in 79 CE could also provide a climactic and providential setting to a “Christian” story. | ||
==Editions | ==Editions== | ||
Published in | Published in London, England: Richard Bentley, (1834). | ||
====Translations==== | ====Translations==== | ||
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*[[The Last Days of Pompeii (1898 Paul), film]] | *[[The Last Days of Pompeii (1898 Paul), film]] | ||
*[[The Last Days of Pompeii (1900 Booth), film]] | |||
*[[Gli ultimi giorni di Pompei (1908 Maggi/Ambrosio), film]] | *[[Gli ultimi giorni di Pompei (1908 Maggi/Ambrosio), film]] | ||
*[[The Last Days of Pompeii (1912 Sousa), music]] | |||
*[[Gli ultimi giorni di Pompei (1913 Caserini), film]] | *[[Gli ultimi giorni di Pompei (1913 Caserini), film]] | ||
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*[[The Last Days of Pompeii (1984 Hunt), film]] | *[[The Last Days of Pompeii (1984 Hunt), film]] | ||
*[[Pompei (2007), TV miniserie]] | |||
*[[Pompeji (2008), musical]] | |||
See also: | See also: |
Revision as of 12:53, 8 October 2015
The Last Days of Pompeii (1834) is a novel by Edward Bulwer Lytton.
Abstract
Hugely popular novel used its characters to contrast, not uncritically, the decadent culture of first-century Rome with both older cultures (Greece and Egypt) and coming trends (Christianity). The novel was inspired by the success of the opera, L’ultimo giorno di Pompei (1825) by Italian composer Giovanni Pacini, and of the painting The Last Day of Pompeii (1833) by Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. Although these works had made no reference to Christianity, they suggested that the eruption of Mount Vesuvius in 79 CE could also provide a climactic and providential setting to a “Christian” story.
Editions
Published in London, England: Richard Bentley, (1834).
Translations
Translated in all major European languages.
Adaptations
See also:
External links
- 1834
- Fiction--1800s
- Fiction--English
- Literature
- Novels
- English language--1800s
- Made in the 1830s
- Christian Origins Studies--1800s
- Christian Origins Studies--Fiction
- Christian Origins Studies--English
- Pompeii (subject)
- Top 1800s
- Fiction--Top 1800s
- English language--Top 1800s
- Christian Origins Studies--Top 1800s
- International Bestsellers