Difference between revisions of "The Sign of the Cross (1932 DeMille), film"
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[[Category:English language|1932 DeMille]] | [[Category:English language|1932 DeMille]] | ||
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[[Category:Christian Origins Studies|1932 DeMille]] | |||
[[Category:Christian Origins Studies--Fiction|1932 DeMille]] | |||
[[Category:Christian Origins Studies--English language|1932 DeMille]] | |||
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[[Category:Christian Origins (subject)|1932 DeMille]] | [[Category:Christian Origins (subject)|1932 DeMille]] | ||
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[[Category:Fiction--Top 1930s| 1932 DeMille]] | [[Category:Fiction--Top 1930s| 1932 DeMille]] | ||
[[Category:English language--Top 1930s| 1932 DeMille]] | [[Category:English language--Top 1930s| 1932 DeMille]] | ||
[[Category: | [[Category:Christian Origins Studies--Top 1930s| 1932 DeMille]] | ||
Revision as of 01:57, 25 September 2013
The Sign of the Cross (1932) is a film directed by Cecil B. DeMille. Based on The Sign of the Cross (1895 Barrett), play.
Abstract
Third, and most famous, film version of Barrett's drama presents a combination of spectacle, violence, sex, and the moral victory of religion, which proved to be very popular with moviegoers. Starring Fredric March (Marcus Superbus), Elissa Landi (Mercia), Claudette Colbert (Poppaea), and Charles Laughton (Nero).
Editions and translations
Produced in the United States (1932). Reissued in 1944 with many cuts of sexy and sadistic scenes, and a nine-minute WW2 prologue added.
External links
Categories:
- 1932
- Fiction
- Cinema
- Films
- American Fiction
- American Cinema
- English language
- Made in the 1930s
- Christian Origins Studies
- Christian Origins Studies--Fiction
- Christian Origins Studies--English language
- Christian Origins Studies--United States
- Christian Origins (subject)
- Nero (subject)
- Top 1930s
- Fiction--Top 1930s
- English language--Top 1930s
- Christian Origins Studies--Top 1930s