Talk:2021 Nangeroni Meeting on John the Baptist (online)

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<The John the Baptist of the Tradition See John the Baptist"

My title of my opening presentation is John the Baptist over the Centuries: Tradition, Scholarship, and the Arts.

At the beginning of this conference, which is the major conference ever devoted specifically to John the Baptist, my goal is to remind all of us the John of Baptist we have received from tradition, literature, and the arts, and finally as defined in the history of scholarly research.


I will do it with the help of the numerous pages that are devoted to this topic on the website, 4 Enoch: The Online Encyclopedia of Second Temple Judaism, which I edited in preparation for the conference and which I invite you to look at during these days.

John the Baptist is not what we could call a neglected minor character of the Gospel tradition. He was remembered in Jewish sources (from Josephus to the Josippon) as a good man. He was honored as a saint and relative and precursor of Jesus by Christians, and celebrated by Muslims as one of the main prophets.

Many churches and mosques in the Middle East as well as in Europe offered relicts of his for the veneration of the believers; Here we see only some of these places, from the Mosque of John in Sebaste (wher ethe body of the baptist was supposedly buried) to the shrine in the Mosque of Damascus (where the head of the Baptist is supposedly preserved.

In Christian iconography, John the Baptist emerged from the Middle Ages as a full-fledged and complex character, with a detailed biography based on scripture, hagiography, and patristic literature. Between the fourteenth and the sixteenth centuries, famous artists such as Giotto, Andrea Pisano, the Salimbeni brothers, Filippo Lippi, Domenico Ghirlandaio, Andrea del Sarto, dedicated great cycles to the life of John the Baptist. These cycles came to include up to 20 episodes, covering all aspects of John's life: his birth, his childhood, his ministry, his relation with Jesus, and his death. No other New Testament character, besides Jesus and Mary of Nazareth, received so much attention.

A visual biography

(1) The traditional Christian biography of John the Baptist begins with the angel Gabriel announcing his birth to his father Zacharias, a Jewish priest who served in the Temple of Jerusalem. Since Zacharias initially replied with some doubts, he was struck dumb until the day of his son's birth and could communicate to others only in writing. As the son of a priest, John will be born a priest. (see Gospel of Luke.)

(2) The next episode is the Visitation of Mary, in which we learn that John's mother Elizabeth was Mary's sister. Both women were pregnant; John and Jesus were cousins. Mary came to support her sister.

(3) Generally, Mary was believed to have left before the birth of John the Baptist but in the Golden Legend (she "did the office and service to receive St. John Baptist when he was born") and more explicitly in the Historia Scholastica ("the Blessed Virgin was the first to lift him up"), Mary was said to be present at the birth of John, as in this fresco by the Salimberni Brothers's in Urbino. In the same painting we see that On the eighth day, John was circumcised ( a scene very seldom represented) and Zacharias confirmed in writing Elizabeth's decision to call the boy "Yohanan" (see Naming of John the Baptist). It was at this moment that Zecharias regained his speech.

(4) Whether it happened before or after the birth of John, Mary left before the birth of her son Jesus at Bethlehem. Scripture is silent on the childhood of John and Jesus, but Christian tradition speculated that John and Jesus first met in Jerusalem as babies (many portraits of the Holy Family include John as a child and his mother Elizabeth; see Child John the Baptist with Jesus).

(5) John and Jesus would meet again on the return of the Holy Family from Egypt. John and Jesus are now boys.

(6) Here there are two different variants of the story. According to St Peter of Alexandria (3rd cent.), Herod the Great sentenced Zacharias to death for refusing to reveal the whereabouts of the Holy Family, while John and Elizabeth fled into the desert. The most common version however was different: John as a child was raised in the House of Zechariah and Elizabeth and then, after receiving the blessing of his parents, left his house to live alone in the wilderness.

(7) Whatever happened, Christian traditions agree that John grew up in the wilderness ever since he was a boy. He spent his entire childhood and youth there. There are numerous artistic representation of John as a boy.

(8) Starting from the 16th cent., it became common to portray John rather as a young adult, especially because of the influence of Leonardo and Caravaggio. See Young John the Baptist in the Desert.

(9) Now an adult, John the Baptist began his public ministery. See Preaching of John the Baptist. He preached to the crowds, and confronted the Sadducees and Pharisees. and testified of Jesus as the Lamb of God before his disciples; see Here is the Lamb of God.

(10) And of course John baptized the penitent, even though this was very seldom portrayed in Christian art because of the belief that the Christian baptism had superseded that of John. Interestingly, no women and no children are among the baptized, only adult males.

(11) By contrast, the Baptism of Jesus was a very popular subject. In order to avoid any confusion about who the protagonist was, the event was portrayed as a theophany in which Jesus's messianic identity was revealed for the first time.

(12) John the Baptist rebuked Herod Antipas, questioning the legitimacy of his marriage to Herodias. He was arrested and imprisoned. There he received the visit of his disciples, and sent messengers to Jesus.

(13) Eventually, it was a complex plot of Herodias, that led to the beheading of John the Baptist, as recounted in the Gospel of Mark and in the Gospel of Matthew. Herodias took advantage of the promise of reward that Herod Antipas made to her daughter (Salome) for dancing in his presence at his birthday party. Prompted by her mother, Salome asked for the head of the Baptist. John was beheaded and his head given on a platter to Salome, who presented it to her mother.

(14) The beheading of John, first represented only as a marginal scene, gradually became one of the favorite and most dramatic scenes in the Life of John the Baptist, by artists like Caravaggio and Tiepolo/

(14-15) According to some versions Salome also brought the head of the Baptist before Herod, in other versions it was a servant who did it.

(16) Finally, John's disciples were allowed to take the Baptist's body, they carried it and buried it.

John in literature and the Arts

Given such glorious premises in visual art and hagiography, it should be expected that John the Baptist would flourish as one of main characters in modern biblical fiction, from the renaissance to the present. But it was not the case.

It was the bizarre circumstances of his death (as narrated in Mark and Matthew) rather than the many accomplishments of his life, that first and mostly attracted the interest of playwrights and novelists. This confined John to a marginal role in a drama where the real protagonists were others: Herod Antipas, Herodias and Salome. Soon John's name disappeared even from the titles of plays and novels, until it was completed eclipsed by the success of Oscar Wilde's play, Salome (1893). Only in the last decades have there been a few attempts by novelists to revisit his biography, the most ambitious of which is that of American author Brooks Hansen in 2009. Too little and too late to establish John the Baptist as a major protagonist of biblical fiction.

With the success of the oratorio San Giovanni Battista by Alessandro Stradella in 1675, John the Baptist seemed to have found at least in music his most fitting role as a "voice" singing the praises of God. But even in music John was soon overshadowed by the mightier character of Salome, who revealed much greater potential as a singer and a dancer. She (not he) was the protagonist of the famous operas by Jules Massenet (Hérodiade, 1881) and Richard Strauss (Salome, 1905).

In the Salomania that exploded in Europe and the United States in the early 20th century, following the success of the works by Oscar Wilde and Richard Strauss, John's role was limited to being the object and the victim of Salome's lustful desire. See Salome (dance).

In such a context, John had no chances even in the rising art of cinematography. It is not that he was ignored. On the contrary. With only a few exceptions, John has been featured in almost every major film on Jesus of Nazareth and in numerous movies where he is the innocent victim of the intrigues of Herod Antipas, Herodias and Salome. He has also regularly appeared in supporting roles in movies on Peter, Mary of Nazareth, and Mary Magdalene. Famous actors has given powerful performances, from Charles Heston in The Greatest Story Ever Told (1965) to Andre Gregory in The Last Temptation of Christ (1988).

However, among the "minor" characters of the New Testament, John is the only one to whom not a single film has been dedicated. It is as if he could not escape his eternal destiny of being overshadowed by someone mightier than he and seeing somebody else rise to fame while he had to decrease.

John the Baptist in scholarship

A marginal character in Biblical fiction, John had no greater fortune in scholarship.

The first studies specifically devoted to John the Baptist at the end of 18th centuries were works of Christian theologians in England who were interested in reaffirming the reliability of the Gospel narratives on John the Baptist.

Only at the beginning of the 20th century the critical study began, when questions arose about who historical John "really" was, and form-criticism suggested the possibility to go back from Christian sources to the “original” John.

The article Kaufmann Kohler wrote for the Jewish Encyclopedia in 1906 can be taken as evidence of those early debates.

Kohler claimed that John was (a) Jewish (not Christian), in particular an Essene. Kohler also pointed out that John viewed the Messiah as the one who would come as judge to baptize people with fire--a conception of the Messiah which is widely different from the one which saw the Messiah in Jesus. Kohler's conclusion was that John was (c) Jesus was a disciple of John (d) He was reinterpreted as a Christian by the disciples of Jesud; (d) whereas his movement remained autonous and continued after his death, as attested but the Mandeans.

Of course there were scholars, notably Joshua Starr in the 1930s, who remained skeptical about the possibility of recovering the "historical" John and separating him from the "Christian" John.

It remains for the historian to recognize that the actual Palestinian John has undergone such a radical transformation in our Gospel that one finds it impossible to determine the historical personality and the concrete nature of his public effort” (Starr 236). “the transformation has progressed so far that it has carried the Gospel-writer far away from Judaism and its homeland.” (Starr 237)

Most scholars however remained confident in the possibility of recovering the historical John. The first studies were published dealing the Q Gospel, while the works by Wilhelm Brandt (1910) and Joseph Thomas (1935) drew attention on the Jewish ritual baths and the ancient Baptist movements.

Bacon 1929 : John “shows a moral revolt against priestcraft and legalism, but there is nothing specifically Christian about it (p.42) “the disciples of John” continued to form important groups, and these were by no means all so readily won over to the Church as that described by Luke at Ephesus. (p.46)

With the discovery of the Dead Seas Scrolls the emphasis shifted in 1950s on the relation between John the Baptist and Qumran (and the Essene movementat large) – a relation that -as we have seen – predated the finding of the Scrolls but that now could benefit from the publication of the first manuscripts.

The other major concern were of course the relation between John and Jesus, and the relation between the way Josephus and the Gospels portray John.

The intersection of these discussions has produced at least three different views of the historical John the Baptist:

(1) a Jewish Apocalyptic preacher followed by a non-apocalyptic Jesus (Crossan, Hollenbach)

(2) a Jewish Apocalyptic preacher in continuity with an apocalyptic Jesus (Meier, Becker)

(3) a Jewish non-apocalyptic prophet in continuity with a non-apocalyptic Jesus


We can only notice with great satisfaction that the debate has increased in the last decades and has become not only more lively but also more diverse. While Jewish scholars as well as specialists from Europe, the United States and Israel have been involved in the search since the beginning, for the first time the all-male scholarship on John the Baptist has been challenged today by the work of specialists such Joan Taylor, Catherine M. Murphy, Rivka Nir, and the many other female specialists, who we are honored to have with us at this conference.

Much work however needs still to be done and we can only be grateful in particular to Joan Taylor and Joel Marcus and the Journal for the Study of the historical Jesus and all the many scholars who have recently published monographs on John the Baptist for their good work and for inspiring today's gathering.

It is now up to us in this four days of conference to write a new chapter in the long history of tradition and research on John the Baptist.



  • Can we recover a Jewish John the Baptist?

The goals of this conference are quite ambitious. The first has already been accomplished, to bring together all the main specialists in the field. In a few minutes, in our opening meeting we will ask some of the authors who have dealt with the figure of john teh Baptist to present their work and their view on the subject.

Then we will move to address the major issues of the research on John the Baptisty. It is my opinion that what we need now are not necessarily some more studies but some more discussion. This is the reason we will have a seminar format. Not a series of papers followed by Q/A but some introductory oral statements who will lead to open, lengthly discussions among participants. We have already published enough, so-to-speak. It is time that we pause and discuss the result of our research.

We will start with a survey of the reception of john the Baptist with Second Temple Judaism, Early Christianity and Islam.

We will deal then with some specific topics: The reletion with the Temple, with Qumran, and the Essene movement, the problem of his bptism for forveness of sins. the probem of purity, the political implication of his message.

Finally we will explore the relationship between John and Jesus, startin with the way in which it is presented in each of the Gosples and then ecploring thehypothesis of continuity or discontinuity

As always in the tradition of the Enoch Seminar, We will have plenty of time for open and constructive discussions, in the ten workshope ogf the conference, in the recap sessions at the beginning of each day, and the final wrap-up session with all the panelists and participants.

My best wishes are for all of you who are here today, for a lively and engaging conference.





John the Baptist between Prophecy and Apocalypticism: His Eschatological and Messianic Vision

Can John's preaching be interpreted in the light of Second Temple Jewish Apocalypticism? Can the Apocalypticism be traced back to the historical John or is it the result of the reinterpretation that the Synoptics provide? How is John to be located within the various forms of Jewish prophetism and revelatory practices? Was John a “mystic”? What was John’s eschatological outlook? Was his message mostly/all about judgment or was he first and foremost a prophet of restoration? Did he talk about the kingdom of God? Who was the Coming/Stronger One he announced? (The Davidic Messiah? A superhuman Messiah, e.g. the Son of Man? YHWH?) What did John think of himself? Did he claim to be the Elijah redivivus?

Cannot attend:

  • @ Knut Backhaus <knut.backhaus@kaththeol.uni-muenchen.de> <cannot attend>
  • @ Barrie Wilson, York University Toronto, Canada <barrie@yorku.ca>

Can attend:

  • Ian Werrett 4, 5 or 7.

(-) Who is my John the Baptist? Eight Contemporary Scholarly Portraits.

  1. Joel Marcus
  2. Joan Taylor
  3. Edmondo Lupieri
  4. Gabriele Boccaccini
  5. Albert Baumgarten
  6. Rivka Nir
  7. Robert Webb

(1) John the Baptist in Second Temple Judaism (Josephus, the Life of Adam and Eve, Enoch)

  • Steve Mason (Josephus), Johannes Tromp (Adam & Eve), Daniele Minisini (Enoch), <Kelley Coblentz Bautch>

Alternative: Levison (esperto anche lui di Vita A&E),

(2) John the Baptist in Christian sources (Gospels, Acts, Pseudo-Clementines)

  • Michael Daise, Clare Rothschild, Giovanni Bazzana, <Francesco Pieri> <Prinzivalli>

Alternative: se Rothschild preferisce altrove allora Dennert oppure Taylor (se preferisce qui per parlare del racconto dell'infanzia lucano); Backhaus se Bazzana preferisce altrove

(3) John the Baptist in Gnosticism, Mandaeism, Islam

  • James McGrath (Mandaeans), Alberto Camplani (Gnosticism), Caroline Lemmens (Islam)

Alternative: Lupieri

(4) John the Baptist, the Temple, and the Priesthood

  • Eric Noffke?, Edmondo Lupieri?, Lawrence Schiffman? Ian Werrett

Alternative: Schiffman

(5) John the Baptist, Qumran, and the Essenes

  • 'Cecilia Wassen, Albert Baumgarten, Corrado Martone, Adolfo Roitman

Alternative: non so se la Taylor abbia voglia di parlare di questo, nel caso sostituire con Marcus o Baumgarten (Noffke lo lascerei nella sessione su tempio e sacerdozio, perché ottimo contraltare a Lupieri)

(6) John between Prophecy and Apocalypticism: his Eschatological and Messianic Vision

  • <Backhaus> Levison, Robert Webb, Adela Yarbro Collins <Joel Marcus?>,

Alternative: Backhaus, Levison (esperto su profetismo, pneumatologia) - NB: penso che il titolo "between prophecy and apocalypticism" rispecchi meglio le questioni da discutere

(7) John and the Law: Purity, and Other Halakhic Matters

  • Benjamin Snyder, Hannah Harrington, Thomas Kazen <Vered Noam?>

Alternative: Lupieri (so che era scontato x la halakhah, ma c'è più bisogno di lui su tempio e sacerdozio), Taylor, Webb, Schiffman

(8) John and Politics

  • Robert Myles, Nathan Shedd (esperto di decapitazione), Erin Roberts (esperta di filosofia morale ellenistica)

Alternative: Bazzana?

(9) John's Baptism and the Forgiveness of Sins

  • Jonathan Lawrence, Gabriele Boccaccini, Jonathan Klawans, <Joel Marcus>

Alternative: Marcus (se preferisce qui, dato che insiste molto sul fatto che il battesimo+lo Spirito rimettessero i peccati), Webb, Snyder, Taylor

(10) John and the Historical Jesus

  • Federico Adinolfi, Sara Parks?, Darrell Bock, Brian Dennert, Dale Allison?

Alternative: Wassen (se preferisce parlare qui, dato che presto uscirà un suo libro su Gesù); Taylor (se vorrà parlare qui del racconto lucano dell'infanzia), altrimenti - nel caso Dennert non partecipasse o volesse collocarsi altrove - chiedere al JSHJ di metterci qualcuno del loro board: Dale Allison sarebbe meraviglioso, ma anche Helen Bond, James Crossley, Thomas Kazen...

(-) Final panel [Gabriele Boccaccini, chair]: Joel Marcus, Larry Schiffman, Joan Taylor? ... (Here we can have 5-6 panelists)




  • Johannes Tromp <j.tromp@let.leidenuniv.nl>
  • Jack Levinson <jlevison@mail.smu.edu>

DAY 1

(-) Who is my John the Baptist? Eight Contemporary Scholarly Portraits.

  1. Joel Marcus
  2. Joan Taylor
  3. Edmondo Lupieri
  4. Gabriele Boccaccini
  5. Albert Baumgarten
  6. Rivka Nir
  7. Webb
  8. Backhaus

(a mio personalissimo parere bisognerebbe inserire Webb e Backhaus – sempre se partecipano –; e volendo anche Nir, dato che ha appena pubblicato una monografia. E se così diventano troppi, lascerei da parte McGrath – ed eventualmente Baumgarten) [Federico]

Sono d’accordo con Federico. I lavori di Webb e Backhaus costituiscono a tutti gli effetti degli importanti “scholarly portraits” della storiografia recente. Allo stesso modo il volume della Nir, per quanto uno possa esserne in accordo o disaccordo, si configura come il più recente elemento di discussione. [Daniele]

(1) John the Baptist, the Temple, and the Priesthood

  • Eric Noffke, Federico Adinolfi, Edmondo Lupieri, (Albert Baumgarten?), (Lawrence Schiffman?)

(2) John the Baptist, Qumran, and the Essenes

  • Joel Marcus, Joan Taylor, Gabriele Boccaccini (Lawrence Schiffman?)

Io qui ci vedrei bene in qualche forma, anche se il suo nome non era ancora uscito, il “nostro” Corrado Martone. [Daniele]

DAY 2

(3) John the Baptist and Jewish Apocalypticism (Enoch literature)

  • Gabriele Boccaccini, Daniele Minisini, Eric Noffke

Questa sessione per me è la più “comoda” e mi ci trovo molto bene. Inoltre, quando si parla di apocalittica giudaica, credo che sia sempre utile e necessario sentire cosa ha da dire John Collins. Certo, non è propriamente uno specialista di GB, ma ha indubbiamente una conoscenza più che approfondita dei fenomeni apocalittici. Qui ci vedo bene anche specialisti di letteratura enochica come Stuckenbruck, ma anche VanderKam o Bock (che vedo nella lista dei partecipanti). [Daniele]

(4) John as a Prophet: his Eschatological and Messianic Vision

  • Gabriele Boccaccini, Daniele Minisini, Eric Noffke
  • Robert Webb, Joel Marcus, Knut Backhaus (Adela Yarbro Collins), (Cecilia Wassen)

(Vedo bene Adela anche nelle sessioni 7 e 9, anche se sono già molto “affollate”) [Daniele]

(5) John and Politics

  • Robert Myles, Joel Marcus, Nathan Shedd (specialista della decapitazione di GB), (Albert Baumgarten?), (Giovanni Bazzana?)


DAY 3

(6) John and the Law: Purity, and Other Halakhic Matters

  • Edmondo Lupieri, Cecilia Wassen, Benjamin Snyder (Joan Taylor), (Jonathan Klawans)*

C’è una certa sovrapposizione tra questa sessione e la seguente per quanto riguarda il battesimo: in generale gli specialisti sul tema battesimo & purità sono Taylor, Klawans e Snyder (di Snyder sta per uscire la tesi di dottorato proprio sul battesimo di Giovanni, per Mohr Siebeck – so che Isaac Oliver è informato sulla sua ricerca), mentre sul tema battesimo & perdono dei peccati (sotto) vedo bene, oltre a Lei e a Marcus, Klawans (oppure sempre Snyder o Taylor o anche Webb).

(7) John's Baptism and the Forgiveness of Sins

  • Gabriele Boccaccini, Joel Marcus, Jonathan Klawans, (Benjamin Snyder), (Joan Taylor), (Bob Webb)

Concordo di nuovo con Federico. Queste due sessioni, seppur distinte, hanno molti punti di contatto. Lupieri lo vedo molto bene nella sessione (6), nonostante i suoi importanti lavori sulle tematiche della sessione (10). Tuttavia penso che il suo contributo possa costituire una buona base per la discussione delle questioni halakhiche, soprattutto insieme alla Taylor.

(8) John and the Historical Jesus

  • Federico Adinolfi, Cecilia Wassen, Darrell Bock (Joan Taylor)

DAY 4

(9) The Memory and Legacy of John in Judaism, Christianity (Gospels, Acts, Josephus)

  • Michael Daise, Rivka Nir, Joan Taylor (Brian Dennert), (Edmondo Lupieri)

So che alla Taylor piacerebbe affrontare il racconto dell’infanzia lucano, ma potrebbe occuparsi anche di Flavio Giuseppe

Per quanto riguarda la testimonianza di Flavio Giuseppe su GB c’è anche Claire Rothschild. Anche Lettieri, se vogliamo invitarlo, ha scritto un interessante articolo sulla ritrattazione ontologica dell’incarnazione del Figlio nel Prologo di Giovanni. Per quanto ardito l’articolo è molto ben strutturato e credo che possa essere foriero di discussioni [Daniele]

(10) John, the gnostics, and the Mandeans (Pseudo-Clementine literature, Gnostic Literature, Mandaeism, , Qur'an)

  • James McGrath (Mandeans), Alberto Camplani (Gnosticism), Caroline Lemmens (Islam) - Knut Backhaus, Edmondo Lupieri (Joel Marcus),

In questa sessione potremmo inserire in qualche modo anche Alberto Camplani che si è occupato dalla ricezione di Giovanni in contesti gnostici, marcioniti e orientali (Siria e dintorni)

(-) Wrap-up session. A final panel of specialists discussing the results of the conference.



NOTE

Yonatan Adler< Ariel University, Ritual Baths <yonatan.adler@yale.edu>


Knut Backhaus e Robert Webb e direi anche Benjamin Snyder e Nathan Shedd che hanno da poco completato delle tesi di dottorato rispettivamente su battesimo e purità rituale (https://place.asburyseminary.edu/ecommonsatsdissertations/1429/ ) e sulla decapitazione del Battista (https://research.stmarys.ac.uk/id/eprint/3503/ )

Poi non so... c'è Jaroslav Rindoš che qualche anno fa ha pubblicato un buona monografia sul Battista ed Elia in Luca: http://www.slavu.sav.sk/en/en_rindos.php



Session 9 -

Michael Daise "'The Voice of One Calling in the Wilderness': Reflections on John the Baptist and Isaiah 40:3."


-) Who is my John the Baptist? Eight Contemporary Scholarly Portraits.

  1. Joel Marcus
  2. Joan Taylor
  3. Edmondo Lupieri
  4. Gabriele Boccaccini
  5. Albert Baumgarten
  6. Rivka Nir
  7. Webb
  8. Backhaus

(1) John the Baptist in Second Temple Judaism (Josephus, the Life of Adam and Eve, Enoch?)

  • Steve Mason (Josephus), Johannes Tromp (Adam & Eve), Daniele Minisini (Enoch)

(2) John the Baptist in Christian sources (Gospels, Acts, Church Fathers)

  • Michael Daise, Giovanni Bazzana,


(3) John the Baptist in Gnosticism, Mandeans, Islam

  • James McGrath (Mandeans), Alberto Camplani (Gnosticism), Caroline Lemmens (Islam)

(4) John the Baptist, the Temple, and the Priesthood

  • Eric Noffke, Federico Adinolfi, Edmondo Lupieri, (Albert Baumgarten?), (Lawrence Schiffman?)

(5) John the Baptist, Qumran, and the Essenes

  • Joel Marcus, Joan Taylor, Gabriele Boccaccini (Lawrence Schiffman?) (Corrado Martone?)

(6) John and Jewish Apocalypticism: his Eschatological and Messianic Vision

  • Gabriele Boccaccini, Daniele Minisini, Eric Noffke
  • Robert Webb, Joel Marcus, Knut Backhaus (Adela Yarbro Collins), (Cecilia Wassen)

(7) John and the Law: Purity, and Other Halakhic Matters

  • Edmondo Lupieri, Cecilia Wassen, Benjamin Snyder (Joan Taylor), (Jonathan Klawans)*

(8) John and Politics

  • Robert Myles, Joel Marcus, Nathan Shedd (specialista della decapitazione di GB), (Albert Baumgarten?), (Giovanni Bazzana?)

(9) John's Baptism and the Forgiveness of Sins

  • Jonathan Adler (ritual baths), Gabriele Boccaccini
  • Gabriele Boccaccini, Joel Marcus, Jonathan Klawans, (Benjamin Snyder), (Joan Taylor), (Bob Webb)

(10) John and the Historical Jesus

  • Federico Adinolfi, Cecilia Wassen, Darrell Bock (Joan Taylor)