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{en} Ralph Melnick. The stolen legacy of Anne Frank: Meyer Levin, Lillian Hellman, and the staging of the diary. New Haven, CT : Yale University Press, 1997.

Abstract

"As one of the first American journalists to enter the newly liberated concentration camps in the closing days of the Holocaust, Meyer Levin wished the world to know of the horror he had found. Seizing upon Anne Frank's Diary as a poignant voice to tell the tale, he helped to arrange for its American publication and secured from Anne's father the right to adapt it for the theater. But Levin's overtly "Jewish" treatment was rejected in favor of a play with a universal message, conceived by Lillian Hellman and others in her circle. Anne's thoughts about her Jewishness were distorted, omitted, and reworded in this new version, and Levin was convinced that a conspiracy existed to delete the Jewish elements from the diary. He spent the rest of his life protesting this suppression of Anne's legacy and fighting for the right to produce his own play. Now Ralph Melnick draws on material never used before - including papers of Lillian Hellman, Otto Frank, and other key players - and substantiates Levin's claims."--

Contents

With my own eyes -- A real story of Jews under Nazism -- A particularly powerful force against bigotry -- Judgments about his script -- The most suitable producer -- Things you should never tell anybody -- Lilly's suggestions will work out -- A production that isn't faithful -- Successfully blocked -- Too Jewish -- Damn his soul, that Levin -- The struggle is not over -- An unrepentant Stalinist -- A Jewish work of universal importance.

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