File:1992 Kertész.jpg

From 4 Enoch: : The Online Encyclopedia of Second Temple Judaism, and Christian and Islamic Origins
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1st Hungarian ed. (1975)

{en} Imre Kertész. Fateless, tr. Christopher C. Wilson and Katharina M. Wilson. Evanston, IL: Northwestern University Press, 1992. <English ed.>

Abstract

"The novel is about a young Hungarian boy, György "Gyuri" Köves, living in Budapest. The book opens as György's father is being sent to a labor camp. Soon afterwards, György receives working papers and travels to work outside of the Jewish quarter. One day all of the Jews are pulled off of the buses leaving the Jewish quarter, and are sent to Auschwitz on a train without water. Arriving there, György lies about his age, unknowingly saving his own life, and tells us of camp life and the conditions he faces. Eventually he is sent to Buchenwald, and continues on describing his life in a concentration camp, before being finally sent to another camp in Zeitz. György falls ill and nears death, but remains alive and is eventually sent to a hospital facility in a concentration camp until the war ends. Returning to Budapest, he is confronted with those who were not sent to camps and had just recently begun to hear of the terrible injustice and suffering."--

"At the age of 14 Georg Koves is plucked from his home in a Jewish section of Budapest and without any particular malice, placed on a train to Auschwitz. He does not understand the reason for his fate. He doesn’t particularly think of himself as Jewish. And his fellow prisoners, who decry his lack of Yiddish, keep telling him, “You are no Jew.” In the lowest circle of the Holocaust, Georg remains an outsider. The genius of Imre Kertesz’s unblinking novel lies in its refusal to mitigate the strangeness of its events, not least of which is Georg’s dogmatic insistence on making sense of what he witnesses–or pretending that what he witnesses makes sense. Haunting, evocative, and all the more horrifying for its rigorous avoidance of sentiment, Fatelessness is a masterpiece in the traditions of Primo Levi, Elie Wiesel, and Tadeusz Borowski."--

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