Category:Film Studies--1950s

Film Studies (1950s)

The page: Film Studies--1950s includes (in chronological order) films made in the 1950s, or from 1950 to 1959.

This page was created by Gabriele Boccaccini, University of Michigan (@2022)

Highlights (1950s)

-> (1950) -- All About Eve (Mankiewicz) -- Rashomon (Kurosawa) -- Sunset Boulevard (Wilder) -- Treasure Island (Haskin) -- Harvey (Koster) -- Los olvidados (Bunuel)

-> (1951) -- An American in Paris (Minnelli) -- The African Queen (Huston) -- The Day The Earth Stood Still (Wise) -- The Lavender Hill Mob (Crichton) -- A Place in the Sun (Stevens) -- A Streetcar Named Desire (Kazan) -- Ace in the Hole (Wilder) -- see also -- The River (Renoir) -- Quo Vadis (LeRoy)

-> (1952) -- Forbidden Games (Clément) -- High Noon (Zinnemann) -- The Quiet Man (Ford) -- Singin' in the Rain (Donen & Kelly) -- Ikiru (Kurosawa) -- see also -- Europa '51 (Rossellini) -- Madame de... (Ophuls) -- The Greatest Show on Earth (DeMille)

-> (1953) -- Little Fugitive -- Shane (Stevens) -- Tokyo Story (Ozu) -- Ugetsu (Mizoguchi) -- The Wages of Fear (Clouzot) -- Roman Holiday (Wyler) -- see also -- From Here to Eternity (Zinnemann) -- The Band Wagon -- Sawdust and Tinsel (Bergman)

-> (1954) -- Godzilla (Honda) -- Rear Window (Hitchcock) -- Seven Brides for Seven Brothers (Donen) -- Seven Samurai (Kurosawa) -- On the Waterfront (Kazan) -- Dial M for Murder (Hitchcock) -- see also -- Johnny Guitar (Ray) -- Sansho the Bailiff (Mizoguchi) -- Journey to Italy (Rossellini) -- The Caine Mutiny (Dmytryk)

-> (1955) -- Bad Day at Black Rock (Sturges) -- Diabolique (Clouzot) -- The Ladykillers -- Marty (Mann) -- The Night of the Hunter (Laughton) -- To Catch a Thief (Hitchcock) -- Pather Panchali (Ray) -- Rebel Without a Cause (Ray) -- Ordet (Dreyer) -- see also -- All That Heaven Allows (Sirk) -- Mister Roberts (Ford)

-> (1956) -- The Burmese Harp -- Forbidden Planet -- Friendly Persuasion (Wyler) -- Invasion of the Body Snatchers -- The King and I (Lang) -- The Man Who Knew Too Much (Hitchcock) -- The Ten Commandments (DeMille) -- see also -- The Searchers (Ford) -- A Man Escaped (Bresson) -- Giant (Stevens)

-> (1957) -- The Seventh Seal (Bergman) -- Paths of Glory (Kubrick) -- 3:10 to Yuma (Daves) -- 12 Angry Men (Lumet) -- Witness for the Prosecution (Wilder) -- Nights of Cabiria (Fellini) -- see also -- The Bridge on the River Kwai (Lean) -- Sweet Smell of Success (Mackendrick) -- Wild Strawberries (Bergman) -- Peyton Place (Robson)

-> (1958) -- The Defiant Ones (Kramer) -- The Hidden Fortress (Kurosawa) -- The Music Room (Ray) -- Vertigo (Hitchcock) -- Touch of Evil (Welles) -- Separate Tables (Mann) -- South Pacific (Logan) -- see also -- Gigi (Minnelli) -- Auntie Mame (DaCosta) -- Cat on a Hot Tin Roof (Brooks)

-> (1959) -- Ben-Hur (Wyler) -- The 400 Blows (Truffaut) -- North by Northwest (Hitchcock) -- Some Like It Hot (Wilder) -- Imitation of Life (Sirk) -- Rio Bravo (Hawks) -- Room at the Top (Clayton) -- see also -- The Diary of Anne Frank (Stevens) -- Hiroshima mon amour (Resnais) -- Pickpocket (Bresson)