Category:Second Temple Studies--Fiction
The page: Second Temple Fiction contains (in chronological order} more than 400 fictional works (literature, music, cinema) in the field of Second Temple Studies, from the late 15th century to the present. The major subjects are here listed to facilitate the finding of the material.
Highlights
Highlights Esther and Judith are the first (fictional) characters of Second Temple Judaism, who received attention by modern novelists and artists. Their stories were located in an ill-defined "ancient" Israel with no attempt at historical accuracy. On the other hand, the tradition of the "vindicta Salvatoris" had a much more precise historical setting, but also a very specific theological agenda, focusing on the destruction of Jerusalem by Titus as an act of revenge by God for the killing of Jesus by the "Jews". The rediscovery of Josephus on the 16th century provided a vivid and "accurate" setting for characters taken from his writings or events that could be located in the same framework. Some characters (either historical or ficticious) became popular: Herod and Mariamne, the Wandering Jew, Titus and Berenice... The oratorio in the 18th century was the best means to popularize biblical events. Librettists like Apostolo Zeno and Pietro Metastasio imagined beautiful stories on the background of the Second Temple. Some composers like Georg Frideric Haendel showed a particular fascination for the period. After the oratorio, it was the opera. Mozart's La clemenza di Tito , Rossini's Ciro in Babilonia, and Verdi's Nabucco had all a Second Temple Jewish setting. Especially, with the success of historical novels on biblical subjects, the events of the Second Temple period became more and more familiar to European and American audiences. The popularity of Ben Hur and Salome was fueled by the fascination for the Orient that permeated the arts at the turn of the 20th century. The novel of Lew Wallace as well as Oscar Wilde's play and Richard Strauss's opera are among the best known masterpieces of the period and were received enthusiastically by the public. Zionism focused on the Maccabean revolt as the last glorious chapter of Jewish nationalism and independence and found even in Spartacus the opportunity to praise Jewish heroism and fighting for liberty.
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Judas Maccabeus -- Judith -- Salome Alexandra]]
Josephus -- Vespasian -- Titus -- Berenice -- Herod Agrippa II |
Second Temple Fiction
Major Subjects
- Persian Period : Esther
- Roman Period : Herod the Great -- Herod Antipas -- Herodias -- Salome -- Salome -- John the Baptist -- Ben-Hur -- Jewish War -- Masada -- Josephus -- Berenice -- Titus -- Esther of Engaddi -- Bar-Kokhba
- See also Qumran Studies--Fiction -- Historical Jesus Studies--Fiction -- Christian Origins Studies--Fiction -- Pauline Studies--Fiction
The Tragedy of Mariam, the Fair Queen of Jewry (1604), a play by Elizabeth Cary
First original tragedy by a woman written in English and the earliest English handling of the story of Herod and Mariamne, based on Josephus. Herod is no longer merely the cruel, ranting tyrant of the mystery cycles, but now is the passionate lover as well, dogged by an overpowering jealously. The play draws a contrast between the essential integrity of Mariamne and the deceit and double dealing of Salome. Six characters die, including Mariamne.
Elizabeth Cary (Elizabeth Tanfield Cary, Lady Falkland; 1585-1639) was a British playwright.
Lettres de Bérénice à Titus (1642), a novel by Madeleine de Scudéry
The beginning of the tradition depicting Berenice as a self-sacrificing heroine. According to Scudéry, Titus and Berenice had legally married in Judaea and were happily living in Rome when Vespasian died and left the throne to his son. At that juncture the hidden hatred of the Roman people for a foreign queen broke out with violence... Realizing that Titus had to choose between his love for her and his future as emperor of Rome, Berenice went out of Titus’ life of her own accord, preferring to sacrifice her love rather than the man she loved.
Madeleine de Scudéry (1607-1701) was a French novelist and playwright. The sister of Georges de Scudéry received an uncommonly well-rounded education for a woman of her time, not only in the arts but also in ancient history and languages. She reinvented the characters of Titus and Berenice as fictional protagonists of one of the most intriguing love story of antiquity.
Judas Maccabeus by Handel
Nabucco an opera by Giuseppe Verdi
Ben-Hur, by
Salome by Oscar Wilde
Salome, by Richard Strauss
My Glorious Brothers (1948), a novel by Howard Fast
King of Kings, a film by
Subcategories
This category has the following 2 subcategories, out of 2 total.
Pages in category "Second Temple Studies--Fiction"
The following 200 pages are in this category, out of 1,195 total.
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- La clemenza di Tito (The Clemency of Titus / 1746 Wagenseil / @1734 Metastasio), opera (music), Vienna premiere
- La Betulia liberata (The Liberation of Bethulia / 1747 Ciampi / @1734 Metastasio), oratorio (music), Venice premiere
- La clemenza di Tito (The Clemency of Titus / 1747 Corselli, Corradini, Meli / @1734 Metastasio), opera (music), Madrid premiere
- (++) Judas Maccabeus (1747 Haendel / Morell), oratorio
- La clemenza di Tito (The Clemency of Titus / 1747 Manna / @1734 Metastasio), opera (music), Messina premiere
- La clemenza di Tito (The Clemency of Titus / 1748 Grua / @1734 Metastasio), opera (music), Mannheim premiere
- Alexander Balus (1748 Haendel / Morell), oratorio
- La clemenza di Tito (The Clemency of Titus / 1748 Pampani / @1734 Metastasio), opera (music), Venice premiere (cast)
- Susanna (1749 Haendel), oratorio
- Tobia (1749 Orlandini / Zeno), oratorio
- La Gerusalemme convertita (1751 Galuppi / Zeno), oratorio
- La clemenza di Tito (The Clemency of Titus / 1752 Gluck / @1734 Metastasio), opera (music), Naples premiere
- Daniel (1752 Werner), oratorio
- La clemenza di Tito (The Clemency of Titus / 1753 Adolfati / @1734 Metastasio), opera (music), Genoa premiere
- Giuditta (Judith / 1753 Costanzi), oratorio
- La clemenza di Tito (The Clemency of Titus / 1753 Jommelli / @1734 Metastasio), opera (music), Stuttgart premiere (cast)
- La clemenza di Tito (The Clemency of Titus / 1753 Valentini / Palomba, @1734 Metastasio), opera (music), Bologna premiere (cast)
- Giovanni di Giscala (John of Giscala / 1754 Varano), play
- Il sogno di Nabucco (1755 Jommelli), oratorio
- La Gerusalemme convertita (1755 Jommelli / Zeno), oratorio
- La clemenza di Tito (The Clemency of Titus / 1755 Mazzoni / @1734 Metastasio), opera (music), Lisbon premiere (cast)
- Betulia liberata (The Liberation of Bethulia / 1756 Aurisicchio / @1734 Metastasio), oratorio (music), Rome premiere
- La clemenza di Tito (The Clemency of Titus / 1757 Ciampi / @1734 Metastasio), opera (music), Venice premiere (cast)
- La clemenza di Tito (The Clemency of Titus / 1757 Cristiani / @1734 Metastasio), opera (music), Camerino premiere (cast)
- La clemenza di Tito (The Clemency of Titus / 1757 Holzbauer / Verazi, @1734 Metastasio), opera (music), Mannheim premiere
- Triumphus Judith (1757 Pampani), oratorio)
- La clemenza di Tito (The Clemency of Titus / 1760 Cocchi / @1734 Metastasio), opera (music), Bologna premiere
- La clemenza di Tito (The Clemency of Titus / 1760 Galuppi / @1734 Metastasio), opera (music), Turin premiere (cast)
- La Betulia liberata (The Liberation of Bethulia / 1760 Holzbauer / @1734 Metastasio), oratorio
- Spartacus (1760 Saurin), play
- La clemenza di Tito (The Clemency of Titus / 1760 Scarlatti / @1734 Metastasio), opera (music), Venice premiere (cast)
- Judith (1761 Arne / Bickerstaffe), oratorio
- Antiochus der wütente Tyrann, und Vorbild des künftigen Antichrist (Antiochus the Raging Tyrant and Figure of the Future Antichrist / 1762 Werner), oratorio
- The Siege of Jerusalem by Titus Vespasian (1763 Latter), play
- La madre de' Maccabei (The Mother of the Maccabean Martyrs / 1763 Petrucci), oratorio
- La madre de' Maccabei (1764 Barbieri), libretto
- La madre de' Maccabei (1764 Guglielmi / Barbieri), oratorio
- Berenice (1764 Piccinni / @1725 Pasqualigo), opera (music), Naples premiere
- Il Tobia (1765 Alessandri), oratorio
- La madre de' Maccabei (1765 Anfossi / Barbieri), oratorio
- La madre de' Maccabei (1765 Garroni / Barbieri), oratorio
- Matatia (Matthatias / 1765 Nenci / Coltellini), oratorio
- Herodes und Mariamne (1765 Telemann), opera
- La clemenza di Tito (The Clemency of Titus / 1766 Platania / @1734 Metastasio), opera (music), Milan premiere
- La madre de' Maccabei (1767 Bergamini / Barbieri), oratorio
- Daniello (Daniel / 1767 Felici / @1731 Zeno), oratorio
- La Betulia liberata (The Liberation of Bethulia / 1767 Ricci / @1734 Metastasio), oratorio (music), Ascoli premiere
- Colección de varias historias (1767-1768 Santos Alonso), novel
- La clemenza di Tito (The Clemency of Titus / 1768 Bernasconi / @1734 Metastasio), opera (music), Munich premiere
- Il popolo di Giuda liberato dalla morte per intercessione della regina Ester (1768 Sacchini / G.N.C.), oratorio
- La Betulia liberata (The Liberation of Bethulia / 1768 Scolari / @1734 Metastasio), oratorio (music), Lisbon premiere
- La clemenza di Tito (The Clemency of Titus / 1769 Anfossi / @1734 Metastasio), opera (music), Rome premiere
- The Siege of Jerusalem (1769 Bowes Strathmore), play
- La clemenza di Tito (The Clemency of Titus / 1769 Naumann / @1734 Metastasio), opera (music), Dresden premiere
- Berenice (1770 Platania / Durandi), opera (music & libretto), Turin premiere (cast)
- Machabaeorum mater (The Mother of the Maccabean Martyrs / 1770 Sacchini / Chiari), oratorio
- La Betulia liberata (The Liberation of Bethulia / 1771 Calegari / @1734 Metastasio), oratorio (music), Padua premiere
- (++) La Betulia liberata (The Liberation of Bethulia / 1771 Mozart / @1734 Metastasio), oratorio
- La Betulia liberata (The Liberation of Bethulia / 1771 Myslivecek / @ 1734 Metastasio), oratorio (music), Padua premiere
- La clemenza di Tito (The Clemency of Titus / 1771 Sarti / @1734 Metastasio), opera (music), Padua premiere
- Daniello (Daniel / 1772 Coccia / @1731 Zeno), oratorio
- La Betulia liberata (The Liberation of Bethulia / 1772 Gassmann / @1734 Metastasio), oratorio (music), Vienna premiere
- La Liberatrice del Popolo Giudaico nella Persia; o sia, L’Esther (1773 Dittersdorf / Pintus), oratorio
- La clemenza di Tito (The Clemency of Titus / 1773 Myslivecek / @1734 Metastasio), opera (music), Venice premiere
- La Betulia liberata (The Liberation of Bethulia / 1774 Corri / @1734 Metastasio), oratorio (music), Edinburgh premiere
- Tres pueri hebraei in captivitate Babylonis (1774 Galuppi / Chiari), oratorio
- אסתר (Esther / 1774 Lidarti / Saraval), oratorio
- La Betulia liberata (The Liberation of Bethulia / 1774 Seydelmann / @1734 Metastasio), oratorio (music), Dresden premiere
- Jonah (1775 Felsted), oratorio
- La madre de' Maccabei (1775 Gatti / Barbieri), oratorio
- Il ritorno di Tobia (1775 Haydn / Boccherini), oratorio
- Judith; seu, Bethuliae ab obsidione liberatio (1775 Manna), oratorio
- La Betulia liberata (The Liberation of Bethulia / 1776 Almerici / @1734 Metastasio), oratorio (music), Pesaro premiere
- Tito e Berenice (Titus & Berenice / 1776 Mei / Lanfranchi-Rossi), opera (music & libretto), Pisa premiere
- Betulia liberata (The Liberation of Bethulia / 1777 Pio / @1734 Metastasio), oratorio
- Matatia in Modin (1727 Redi), oratorio
- La clemenza di Tito (The Clemency of Titus / 1779 Beltrami / @1734 Metastasio), opera (music), Verona premiere
- Ester assunta al trono d'Assuero (1779 Cedronio / Recco), oratorio
- La Betulia liberata (The Liberation of Bethulia / 1780 Alessandri / @1734 Metastasio), oratorio (music), Venice premiere
- Tres pueri hebraei in camino ignis ardentis (1780 Bianchi), oratorio
- Les macchabées (The Maccabees / 1780 Deshayes), oratorio
- Judith seu Bethuliae liberatio = La Betulia liberata, Latin ed. (The Liberation of Bethulia / 1780 Sala / @1734 Metastasio), oratorio (music), Naples premiere
- La Betulia liberata (1781 Anfossi / Metastasio), oratorio
- La Betulia liberata (1781 Morosini / Metastasio), oratorio
- Daniele nel lago dei leoni (1781 Nicolini), oratorio
- Giuditta (1782 Cimarosa / Bagnoli), oratorio
- Tito e Berenice (1782 Franchi), ballet
- Aurea statua a rege Nabucodonosor erecta; vel, Pueri Hebraei in fornace ardentis ignis (1783 Furlanetto), oratorio
- Salome, madre de' sette martiri Maccabei (1783 Silva / Martinelli), oratorio
- Berenice (1786 Rust / @1770 Durandi), opera (music), Parma premiere
- La clemenza di Tito (The Clemency of Titus / 1787 Apell / @1734 Metastasio), opera (music), Kassel premiere
- Antioco (Antiochus / 1787 Gabellone), oratorio
- La clemenza di Tito (The Clemency of Titus / 1798 Ottani / @1734 Metastasio), opera (music), Turin premiere (cast)
- Tito; o, La partenza di Berenice (1790 Angiolini), ballet
- La Betulia liberata (The Liberation of Bethulia / 1790 Furlanetto / @1734 Metastasio), oratorio (music), Venice premiere
- La morte di Oloferne (1791 Guglielmi / Metastasio), oratorio
- (++) La clemenza di Tito (The Clemency of Titus / 1791 Mozart / Mazzolà, @1734 Metastasio), opera (music & libretto), Prague premiere (cast)
- Ester (1791 Schuster), oratorio
- Spartaco (Spartacus / 1793 Batini, Puccini A., Puccini D. / Vannucci), opera
- Spartakus (Spartacus / 1793 Meissner), novel
- Tito e Berenice (Titus and Berenice / 1793 Nasolini / Foppa), opera (music & libretto), Venice premiere (cast)
- Marianne (1793 Compagnoni) = La Mariane (Mariamne / 1636 Tristan L'Hermite), play (Italian ed.)
- Ester (1795 Avelloni), play
- Betulia liberata (1796 Schuster / Metastasio), oratorio
- La clemenza di Tito (The Clemency of Titus / 1797 Nicolini / @1734 Metastasio), opera (music), Livorno premiere
- I tre fanciulli ebrei liberati dalla fornace (The Three Jewish Children Rescued from the Furnace / 1798 Bellini / Russo), oratorio
- Gionata Maccabeo (1798 Guglielmi), opera
- == == 1800s == == ==
- La clemenza di Tito (The Clemency of Titus / 1802 Del Fante / @1734 Metastasio), opera (music), Florence premiere
- Judas Machabée; ou, Le rétablissement du culte à Jérusalem (1803 Massillian), play
- Betulia liberata (1805 Naumann / Metastasio), oratorio
- Ester ed Assuero (1806 Catugno / Piccinni), oratorio
- Thirza und ihre sieben Söhne (Thirza and Her Seven Sons / 1806 Rieger / Niemeyer), oratorio
- Irod i Mariamna (1809 Derzhavin), play
- Ciro in Babilonia (Cyrus in Babylon / 1812 / @1812 Rossini), Ferrara production, world premiere (opera)
- Ciro in Babilonia (Cyrus in Babylon / 1812 Rossini / Aventi), opera
- La distruzione di Gerusalemme (The Destruction of Jerusalem / 1812 Zingarelli / Sografi), opera (music & libretto), Milan premiere (cast)
- Ciro in Babilonia (Cyrus in Babylon / 1813 / @1812 Rossini), Mantua production, world premiere (opera)
- Jeruzsálem pusztulása (The Destruction of Jerusalem / 1814 Katona), play
- Erode (1815 Scevola), play
- Les Machabées; ou, La prise de Jérusalem (1817 Cuvelier de Trie), play
- Ciro in Babilonia (Cyrus in Babylon / 1817 / @1812 Rossini), Padua production (opera)
- Belshazzar's Feast (1818 Hughes), poetry
- Die Makkabäer; oder, Salomomäa und ihre Söhne (1818 Seyfried), opera
- I sette Maccabei (1818 Trento / Tarducci), opera
- Giuda Maccabeo; ossia, La morte di Nicanore (1819 Crispi / Rasi), oratorio
- Solyme conquise; ou, La dispersion des juifs (1819 Desquiron), poetry
- The Wandering Jew (1820 Galt), novel
- The Fall of Jerusalem (1820 Milman), play
- Ciro in Babilonia (Cyrus in Babylon / 1820 Raimondi / Bordese), opera (music & libretto)
- Helons Wallfahrt nach Jerusalem (Helon's Pilgrimage to Jerusalem / 1820 Strauss), novel
- Die Mutter der Makkabäer (1820 Werner), play
- Giuda Maccabeo; ossia, La morte di Nicanore (1821 Basili), oratorio
- Ester d'Engaddi (1821 Pellico), play
- Les Machabées (1822 Guiraud), play
- Spartacus (1822 Moodie), juvenile novel
- The Wars of the Jews (1823 Johnstone / Brooke), juvenile novel & art
- I tre fanciulli nella fornace di Babilonia (1824 Bonfichi / Rasi), oratorio
- Berenice in Roma (Berenice in Rome / 1824 Raimondi / Bordese), opera (music & libretto), Naples premiere (cast)
- Judith (1825 Decomberousse), play
- Erode; ossia, Marianna (Herod; or, Mariamne / 1825 Mercadante / Ricciuti), opera (music & libretto), Venice premiere
- Mariamne: The Last of the Asmonean Princesses (1825 Ogle), novel
- Helon’s Pilgrimage to Jerusalem (1825 @1820 Strauss / Kenrich), novel (English ed.)
- Salathiel (1827 Croly), novel
- Balsazar (1827 Heine), poetry
- Giuditta (Judith / 1827 Raimondi / Tottola), opera (music & libretto)
- Zillah (1828 Smith), novel
- Traditions of Palestine (1830 Martineau), novel
- The Daughter of Herodias (1831 Rich), play
- Erodiade (Herodias / 1832 Pellico), play
- Ciro in Babilonia (Cyrus in Babylon / 1832 / @1812 Rossini), Perugia production (opera)
- Daniel the Prophet (1833 Horncastle), oratorio
- Belshazzar's Feast (1834 Griesbach), oratorio
- Il Daniello (1834 Terziani / Giuliani), oratorio
- Nabuchodonosor (Nebuchadnezzar / 1836 Anicet-Bourgeois, Cornu), play
- Ester d'Engaddi (1837 Gioja / Gabrielli), ballet
- Spartacus; or, The Roman Gladiator (1837 Jones), play
- Freemen and Slaves (1838 Ball), play
- Nabuccodonosor (Nebuchadnezzar / 1838 Cortesi), ballet
- Erodiade (Herodias / 1838 Liberali / De Horatiis), oratorio
- Die Makabäer (The Maccabees / 1838 Stahlknecht), oratorio
- Mariamme; or, The Court of Herod the Great (1839 Waller), play
- Giuditta (Judith / 1840 Levi / Peruzzini), opera (music & libretto), Venice premiere
- Iddo (1841 Anonymous), children's novel
- Judith (1841 Eckert / Förster), oratorio
- Judith (1840 Hebbel), play
- Die Makkabäer (1842 Gutzkow), play
- Die Makkabäer (The Maccabees / 1842 Tarnowski), novel (German)
- Nabucco (1842 Verdi / Solera), opera
- Judith (1843 Girardin), play
- Atta Troll (1843 Heine), poetry
- Ester d'Engaddi (1843 Malipiero), opera
- Ester d'Engaddi (1843 Peri / Cammarano), opera
- The Leonard Family (1844 Anomymous), children's novel
- L'ebrea (1844 Pacini / Sacchero), opera
- Herodes der Grosse (Herod the Great / 1844 Rückert), play
- Ester (1846 Gordigiani / Barsottini), oratorio
- Ester d'Engaddi (1846 Graffigna / Cammarano), opera
- Ahasverus (1847 Andersen), play
- Eleazzaro; o, I Maccabei (1848 Biagi), opera
- Ester d'Engaddi (1848 Pacini / Guidi), opera
- Herod the Great (1849 James), novel
- == == 1850s == == ==
- Isaac Laquedem (1851 Dumas), novel
- Daniel (1852 Lake), oratorio
- Die Makkabäer (1852 Ludwig), play
- Giuditta (Judith / 1852 Pacini / Abate), oratorio
- Matatia (Matthatias / 1853 Liberali / Vicoli), oratorio
- Herodes der Grosse (Herod the Great / 1853 Neumeister), play
- Daniel (1853 Root/Bradbury), oratorio
- Giuditta (Judith / 1854 Cianchi / @1840 Peruzzini), opera (music), Florence premiere
- Titus; oder, Die Zerstörung Jerusalems (1855 Kossarski), play
- Giovanni Giscala (John of Giscala / 1855 Rossi / Cavagnari), opera (music & libretto), Parma premiere
- The Life and Travels of Herodotus in the Fifth Century before Christ (1855 Wheeler), novel
- The First of the Maccabees (1855 Wise), novel
- Esther, the Beautiful Queen (1856 Bradbury), oratorio
- Mariamne; or, The Queen's Fate (1856 Mair), novel
- Die Hasmonäer (1856 Michaël), play
- Spartaco (1857 Carcano), play
- Bar-Cochba, der letzte Judenkönig (Bar-Kokhba, the Last King of the Jews / 1857 Heigel), poetry
Media in category "Second Temple Studies--Fiction"
The following 38 files are in this category, out of 38 total.
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- 1604 * Cary (play).jpg 354 × 500; 59 KB
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- 1670 * Racine (play).jpg 333 × 499; 27 KB
- 1821 Pellico (play).png 420 × 595; 153 KB
- 1840 * Peploe (novel).jpg 375 × 499; 25 KB
- 1848 Pacini (opera).jpg 293 × 500; 36 KB
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- 1880 * Wallace (novel).jpg 333 × 499; 34 KB
- 1914 Griffith (film).jpg 312 × 445; 25 KB
- 1916 Griffith (film).jpg 403 × 599; 80 KB
- 1918 Edwards (film).jpg 330 × 523; 93 KB
- 1925 Dwan (film).jpg 183 × 275; 9 KB
- 1925 * Niblo (film).jpg 406 × 599; 81 KB
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- 1931 * Walton (oratorio).jpg 340 × 499; 25 KB
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- 1945 Lamont (film).jpg 182 × 268; 23 KB
- 1948 * Fast (novel).jpg 375 × 499; 35 KB
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