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	<id>https://4enoch.org/wiki5/index.php?action=history&amp;feed=atom&amp;title=Category%3AFilm_Studies--Brazil</id>
	<title>Category:Film Studies--Brazil - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://4enoch.org/wiki5/index.php?action=history&amp;feed=atom&amp;title=Category%3AFilm_Studies--Brazil"/>
	<link rel="alternate" type="text/html" href="https://4enoch.org/wiki5/index.php?title=Category:Film_Studies--Brazil&amp;action=history"/>
	<updated>2026-10-26T17:05:11Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.36.1</generator>
	<entry>
		<id>https://4enoch.org/wiki5/index.php?title=Category:Film_Studies--Brazil&amp;diff=350542&amp;oldid=prev</id>
		<title>Gabriele Boccaccini: /* 2000s */</title>
		<link rel="alternate" type="text/html" href="https://4enoch.org/wiki5/index.php?title=Category:Film_Studies--Brazil&amp;diff=350542&amp;oldid=prev"/>
		<updated>2024-12-19T18:09:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;2000s&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:09, 19 December 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2002 Meirelles &amp;amp; Lund (film).jpg&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2002 Meirelles &amp;amp; Lund (film).jpg&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|'''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2006 Hamburger (film).jpg&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2006 Hamburger (film).jpg&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|'''The Year My Parents Went on Vacation''' &amp;lt;br&amp;gt; (2006 Hamburger)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gabriele Boccaccini</name></author>
	</entry>
	<entry>
		<id>https://4enoch.org/wiki5/index.php?title=Category:Film_Studies--Brazil&amp;diff=350540&amp;oldid=prev</id>
		<title>Gabriele Boccaccini: /* 1990s */</title>
		<link rel="alternate" type="text/html" href="https://4enoch.org/wiki5/index.php?title=Category:Film_Studies--Brazil&amp;diff=350540&amp;oldid=prev"/>
		<updated>2024-12-19T18:06:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;1990s&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:06, 19 December 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l54&quot;&gt;Line 54:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 54:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==== 2000s ====&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;gallery&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2002 Meirelles &amp;amp; Lund (film).jpg&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2006 Hamburger (film).jpg&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/gallery&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==== Additional movies ====&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==== Additional movies ====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* 49. Rio, zona norte (1957 Pereira)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* 49. Rio, zona norte (1957 Pereira)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gabriele Boccaccini</name></author>
	</entry>
	<entry>
		<id>https://4enoch.org/wiki5/index.php?title=Category:Film_Studies--Brazil&amp;diff=350539&amp;oldid=prev</id>
		<title>Gabriele Boccaccini: Created page with &quot;'''Film Studies--Portugal''' . * See :Category:Film Studies--Portuguese * See :Category:Film Studies--Portugal . == Chronology == . ==== 1930s ==== . &lt;gallery&gt; 1931 Pe...&quot;</title>
		<link rel="alternate" type="text/html" href="https://4enoch.org/wiki5/index.php?title=Category:Film_Studies--Brazil&amp;diff=350539&amp;oldid=prev"/>
		<updated>2024-12-19T18:04:36Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Film Studies--Portugal&amp;#039;&amp;#039;&amp;#039; . * See &lt;a href=&quot;/wiki5/index.php/Category:Film_Studies--Portuguese&quot; title=&quot;Category:Film Studies--Portuguese&quot;&gt;Category:Film Studies--Portuguese&lt;/a&gt; * See &lt;a href=&quot;/wiki5/index.php/Category:Film_Studies--Portugal&quot; title=&quot;Category:Film Studies--Portugal&quot;&gt;Category:Film Studies--Portugal&lt;/a&gt; . == Chronology == . ==== 1930s ==== . &amp;lt;gallery&amp;gt; 1931 Pe...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;'''Film Studies--Portugal'''&lt;br /&gt;
.&lt;br /&gt;
* See [[:Category:Film Studies--Portuguese]]&lt;br /&gt;
* See [[:Category:Film Studies--Portugal]]&lt;br /&gt;
.&lt;br /&gt;
== Chronology ==&lt;br /&gt;
.&lt;br /&gt;
==== 1930s ====&lt;br /&gt;
.&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
1931 Peixoto (film).jpg|1. '''Limite''' &amp;lt;br&amp;gt; (1931 Peixoto)&lt;br /&gt;
1933 Mauro (film).jpg|24. '''Ganga Bruta / Rough Diamond''' &amp;lt;br&amp;gt; (1933 Mauro)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
.&lt;br /&gt;
==== 1950s ====&lt;br /&gt;
.&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
1957 Gouveia &amp;amp; Seabra (TV film).jpg|'''O Pequeno Lorde / Little Lord Fauntleroy''' (1957 Gouveia) &amp;lt;TV&amp;gt;&lt;br /&gt;
1959 Camus (film).jpg|@ '''Orfeu Negro / &amp;lt;br&amp;gt; Black Orpheus''' &amp;lt;br&amp;gt; (1959 Camus)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
.&lt;br /&gt;
==== 1960s ====&lt;br /&gt;
.&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
1962 Duarte (film).jpg|9. '''O Pagador de Promessas / Keeper of Promises''' (1962 Duarte)&lt;br /&gt;
1963 Pereira (film).jpg|3. '''Vidas secas / &amp;lt;br&amp;gt; Dry Lives''' &amp;lt;br&amp;gt; (1963 Pereira)&lt;br /&gt;
1964 Rocha (film).jpg|2. '''Deus e o Diabo na Terra do Sol / Black God, White Devil ''' (1964 Rocha)&lt;br /&gt;
1965 Person (film).jpg|7. '''São Paulo, Sociedade Anônima''' (1965 Person)&lt;br /&gt;
1967 Rocha (film).jpg|5. '''Terra em Transe / Entranced Earth''' (1967 Rocha)&lt;br /&gt;
1968 Sganzerla (film).jpg|6. '''O Bandido da Luz Vermelha / The Red Light Bandit''' (1968 Sganzerla)&lt;br /&gt;
1969 Andrade (film).jpg|10. '''Macunaíma''' (1969 Andrade)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
.&lt;br /&gt;
==== 1970s ====&lt;br /&gt;
.&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
1971 Marins (film).jpg|'''Finis Hominis / &amp;lt;br&amp;gt; The End of Man''' &amp;lt;br&amp;gt; (1971 Marins)&lt;br /&gt;
1971 Regattieri (film).jpg|'''A Vida de Jesus Cristo / The Life of Jesus Christ''' (1971 Regattieri)&lt;br /&gt;
1971 Tonacci (film).jpg|25. Bang Bang (1971 Tonacci)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
.&lt;br /&gt;
==== 1980s ====&lt;br /&gt;
.&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
1981 Babenco (film).jpg|@ 12. '''Pixote''' &amp;lt;br&amp;gt; (1981 Babenco)&lt;br /&gt;
1984 Coutinho (film).png|4. '''Cabra Marcado para Morrer / Twenty Years Later (1984 Coutinho)&lt;br /&gt;
1985 Babenco (film).jpg|61. '''O Beijo da Mulher-Aranha / Kiss of the Spider Woman''' (1985 Babenco)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
.&lt;br /&gt;
==== 1990s ====&lt;br /&gt;
.&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
1998 Salles (film).jpg|@ 11. '''Central do Brasil / Central Station''' &amp;lt;br&amp;gt; (1998 Salles)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
.&lt;br /&gt;
==== Additional movies ====&lt;br /&gt;
* 49. Rio, zona norte (1957 Pereira) &lt;br /&gt;
* Fake Blonde (2007 Reichenbach)&lt;br /&gt;
* + '''Garoto / Kid''' (2015 Bressane)&lt;br /&gt;
* + '''Luz nos trópicos / Light in the Tropics''' (2020 Gaitan) &lt;br /&gt;
.&lt;br /&gt;
=== Critical Reception / Ranking (Brazil) ===&lt;br /&gt;
&lt;br /&gt;
* See [https://en.wikipedia.org/wiki/Abraccine_Top_100_Brazilian_films Abraccine Top 100 Brazilian films]&lt;br /&gt;
&lt;br /&gt;
-- 1. '''Limite''' (1931), by Mario Peixoto&lt;br /&gt;
-- 2. '''Deus e o Diabo na Terra do Sol''' (1964), de Glauber Rocha&lt;br /&gt;
-- 3. '''Vidas Secas (1963), de Nelson Pereira dos Santos&lt;br /&gt;
-- 4. '''Cabra Marcado para Morrer'''''' (1984), de Eduardo Coutinho&lt;br /&gt;
-- 5. '''Terra em Transe''' (1967), de Glauber Rocha&lt;br /&gt;
-- 6. '''O Bandido da Luz Vermelha''' (1968), de Rogério Sganzerla&lt;br /&gt;
-- 7. '''São Paulo S/A''' (1965), de Luís Sérgio Person&lt;br /&gt;
-- 8. '''Cidade de Deus''' (2002), de Fernando Meirelles&lt;br /&gt;
-- 9. '''O Pagador de Promessas''' (1962), de Anselmo Duarte&lt;br /&gt;
-- 10. '''Macunaíma''' (1969), de Joaquim Pedro de Andrade&lt;br /&gt;
&lt;br /&gt;
-- 11. '''Central do Brasil''' (1998), de Walter Salles&lt;br /&gt;
-- 12. '''Pixote, a Lei do Mais Fraco''' (1981), de Hector Babenco&lt;br /&gt;
-- 13. Ilha das Flores (1989), de Jorge Furtado&lt;br /&gt;
-- 14. Eles Não Usam Black-Tie (1981), de Leon Hirszman&lt;br /&gt;
-- 15. O Som ao Redor (2012), de Kleber Mendonça Filho&lt;br /&gt;
-- 16. Lavoura Arcaica (2001), de Luiz Fernando Carvalho&lt;br /&gt;
-- 17. Jogo de Cena (2007), de Eduardo Coutinho&lt;br /&gt;
-- 18. Bye Bye, Brasil (1979), de Carlos Diegues&lt;br /&gt;
-- 19. Assalto ao Trem Pagador (1962), de Roberto Farias&lt;br /&gt;
-- 20. São Bernardo (1974), de Leon Hirszman&lt;br /&gt;
&lt;br /&gt;
-- 21. Iracema, uma Transa Amazônica (1975), de Jorge Bodansky e Orlando Senna&lt;br /&gt;
-- 22. Noite Vazia (1964), de Walter Hugo Khouri&lt;br /&gt;
-- 23. Os Fuzis (1964), de Ruy Guerra&lt;br /&gt;
-- 24. Ganga Bruta (1933), de Humberto Maur&lt;br /&gt;
-- 25. Bang Bang (1971), de Andrea Tonacci&lt;br /&gt;
-- 26. A Hora e a Vez de Augusto Matraga (1968), de Roberto Santos&lt;br /&gt;
-- 27. Rio, 40 Graus (1955), de Nelson Pereira dos Santos&lt;br /&gt;
-- 28. Edifício Master (2002), de Eduardo Coutinho&lt;br /&gt;
-- 29. Memórias do Cárcere (1984), de Nelson Pereira dos Santos&lt;br /&gt;
-- 30. Tropa de Elite (2007), de José Padilha&lt;br /&gt;
&lt;br /&gt;
-- 31. O Padre e a Moça (1965), de Joaquim Pedro de Andrade&lt;br /&gt;
-- 32. Serras da Desordem (2006), de Andrea Tonacci&lt;br /&gt;
-- 33. Santiago (2007), de João Moreira Salles&lt;br /&gt;
-- 34. O Dragão da Maldade contra o Santo Guerreiro (1969), de Glauber Rocha&lt;br /&gt;
-- 35. Tropa de Elite 2 – O Inimigo Agora é Outro (2010), de José Padilha&lt;br /&gt;
-- 36. O Invasor (2002), de Beto Brant&lt;br /&gt;
-- 37. Todas as Mulheres do Mundo (1967), de Domingos Oliveira&lt;br /&gt;
-- 38. Matou a Família e Foi ao Cinema (1969), de Julio Bressane&lt;br /&gt;
-- 39. Dona Flor e Seus Dois Maridos (1976), de Bruno Barreto&lt;br /&gt;
-- 40. Os Cafajestes (1962), de Ruy Guerra&lt;br /&gt;
&lt;br /&gt;
-- 41. O Homem do Sputnik (1959), de Carlos Manga&lt;br /&gt;
-- 42. A Hora da Estrela (1985), de Suzana Amaral&lt;br /&gt;
-- 43. Sem Essa Aranha (1970), de Rogério Sganzerla&lt;br /&gt;
-- 44. SuperOutro (1989), de Edgard Navarro&lt;br /&gt;
-- 45. Filme Demência (1986), de Carlos Reichenbach&lt;br /&gt;
-- 46. À Meia-Noite Levarei Sua Alma (1964), de José Mojica Marins&lt;br /&gt;
-- 47. Terra Estrangeira (1996), de Walter Salles e Daniela Thomas&lt;br /&gt;
-- 48. A Mulher de Todos (1969), de Rogério Sganzerla&lt;br /&gt;
-- 49. Rio, Zona Norte (1957), de Nelson Pereira dos Santos&lt;br /&gt;
-- 50. Alma Corsária (1993), de Carlos Reichenbach&lt;br /&gt;
&lt;br /&gt;
-- 51. A Margem (1967), de Ozualdo Candeias&lt;br /&gt;
-- 52. Toda Nudez Será Castigada (1973), de Arnaldo Jabor&lt;br /&gt;
-- 53. Madame Satã (2000), de Karim Ainouz&lt;br /&gt;
-- 54. A Falecida (1965), de Leon Hirzman&lt;br /&gt;
-- 55. O Despertar da Besta – Ritual dos Sádicos (1969), de José Mojica Marins&lt;br /&gt;
-- 56. Tudo Bem (1978), de Arnaldo Jabor (1978)&lt;br /&gt;
-- 57. A Idade da Terra (1980), de Glauber Rocha&lt;br /&gt;
-- 58. Abril Despedaçado (2001), de Walter Salles&lt;br /&gt;
-- 59. O Grande Momento (1958), de Roberto Santos&lt;br /&gt;
-- 60. O Lobo Atrás da Porta (2014), de Fernando Coimbra&lt;br /&gt;
&lt;br /&gt;
-- 61. O Beijo da Mulher-Aranha (1985), de Hector Babenco&lt;br /&gt;
-- 62. O Homem que Virou Suco (1980), de João Batista de Andrade&lt;br /&gt;
-- 63. O Auto da Compadecida (1999), de Guel Arraes&lt;br /&gt;
-- 64. O Cangaceiro (1953), de Lima Barreto&lt;br /&gt;
-- 65. A Lira do Delírio (1978), de Walter Lima Junior&lt;br /&gt;
-- 66. O Caso dos Irmãos Naves (1967), de Luís Sérgio Person&lt;br /&gt;
-- 67. Ônibus 174 (2002), de José Padilha&lt;br /&gt;
-- 68. O Anjo Nasceu (1969), de Julio Bressane&lt;br /&gt;
-- 69. Meu Nome é… Tonho (1969), de Ozualdo Candeias&lt;br /&gt;
-- 70. O Céu de Suely (2006), de Karim Ainouz&lt;br /&gt;
&lt;br /&gt;
-- 71. Que Horas Ela Volta? (2015), de Anna Muylaert&lt;br /&gt;
-- 72. Bicho de Sete Cabeças (2001), de Laís Bondanzky&lt;br /&gt;
-- 73. Tatuagem (2013), de Hilton Lacerda&lt;br /&gt;
-- 74. Estômago (2010), de Marcos Jorge&lt;br /&gt;
-- 75. Cinema, Aspirinas e Urubus (2005), de Marcelo Gomes&lt;br /&gt;
-- 76. Baile Perfumado (1997), de Paulo Caldas e Lírio Ferreira&lt;br /&gt;
-- 77. Pra Frente, Brasil (1982), de Roberto Farias&lt;br /&gt;
-- 78. Lúcio Flávio, o Passageiro da Agonia (1976), de Hector Babenco&lt;br /&gt;
-- 79. O Viajante (1999), de Paulo Cezar Saraceni&lt;br /&gt;
-- 80. Anjos do Arrabalde (1987), de Carlos Reichenbach&lt;br /&gt;
&lt;br /&gt;
-- 81. Mar de Rosas (1977), de Ana Carolina&lt;br /&gt;
-- 82. O País de São Saruê (1971), de Vladimir Carvalho&lt;br /&gt;
-- 83. A Marvada Carne (1985), de André Klotzel&lt;br /&gt;
-- 84. Sargento Getúlio (1983), de Hermano Penna&lt;br /&gt;
-- 85. Inocência (1983), de Walter Lima Jr.&lt;br /&gt;
-- 86. Amarelo Manga (2002), de Cláudio Assis&lt;br /&gt;
-- 87. Os Saltimbancos Trapalhões (1981), de J.B. Tanko&lt;br /&gt;
-- 88. Di (1977), de Glauber Rocha&lt;br /&gt;
-- 89. Os Inconfidentes (1972), de Joaquim Pedro de Andrade&lt;br /&gt;
-- 90. Esta Noite Encarnarei no Teu Cadáver (1966), de José Mojica Marins&lt;br /&gt;
&lt;br /&gt;
-- 91. Cabaret Mineiro (1980), de Carlos Alberto Prates Correia&lt;br /&gt;
-- 92. Chuvas de Verão (1977), de Carlos Diegues&lt;br /&gt;
-- 93. Dois Córregos (1999), de Carlos Reichenbach&lt;br /&gt;
-- 94. Aruanda (1960), de Linduarte Noronha&lt;br /&gt;
-- 95. Carandiru (2003), de Hector Babenco&lt;br /&gt;
-- 96. Blá Blá Blá (1968), de Andrea Tonacci&lt;br /&gt;
-- 97. O Signo do Caos (2003), de Rogério Sganzerla&lt;br /&gt;
-- 98. O Ano em que Meus Pais Saíram de Férias (2006), de Cao Hamburger&lt;br /&gt;
-- 99. Meteorango Kid, Herói Intergaláctico (1969), de Andre Luis Oliveira&lt;br /&gt;
-- 100. Guerra Conjugal (1975), de Joaquim Pedro de Andrade (*)&lt;br /&gt;
-- 101. Bar Esperança, o Último que Fecha (1983), de Hugo Carvana (*)&lt;/div&gt;</summary>
		<author><name>Gabriele Boccaccini</name></author>
	</entry>
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